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LITTLE MUIR'S SONG

This offering isn’t much of an introduction to Muir, but it is a lovely poetic meditation on the natural world.

A gentle introduction to the natural world and the words of John Muir.

A useful version of Muir himself, sporting a brown beard with no mustache, white skin, blue vest, white shirt, and brown trousers, appears on each double-page spread. Dubbed “Little Muir” on the cover but not on the inner pages, this sole human character hikes mountains, rock-hops across a river, snoozes under and climbs up trees, and listens to bird song. One line of Muir’s own words, taken from John of the Mountains: The Unpublished Journals of John Muir (edited by Linnie Marsh Wolfe, 1979) and focusing on humanity’s spiritual connection to nature, appears on either or both sides of each tableau: “The sun shines not on us but in us. // The rives flow not past, but through us.” Youngsters may not grasp the big ideas, poetic musings, and how it all relates to Muir (or even who he was), but the reverence for the Earth comes through with each page turn. With round, friendly lines reminiscent of Wanda Gág’s work, the jewel-toned landscapes evoke the vistas of Yosemite National Park, which Muir helped preserve.

This offering isn’t much of an introduction to Muir, but it is a lovely poetic meditation on the natural world. (Board book. 2-4)

Pub Date: Aug. 13, 2019

ISBN: 978-1-930238-89-3

Page Count: 14

Publisher: Yosemite Conservancy

Review Posted Online: Aug. 25, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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ROCK-A-BYE BABY

Ho-hum.

A riff on the familiar lullaby depicts various animal parents, and then a human father, soothing their sleepy little ones.

An opening spread includes the traditional first verse of the titular lullaby, but instead of depicting a human baby in a treetop cradle, the accompanying illustration shows a large tree as habitat to the animals that are highlighted on subsequent pages. First the perspective zooms in on a painterly illustration rendered in acrylics of a mother squirrel cuddling her baby with text reading “Rock-a-bye Squirrel, / high in the tree, / in Mommy’s arms, / cozy as can be.” In this spread and others the cadence doesn’t quite fit with the familiar tune, and repeated verses featuring different animals—all opening with the “Rock-a-bye” line—don’t give way to the resolution. No winds blow, no boughs break, and the repetitive forced rhythm of the verse could cause stumbles when attempting a read-aloud. The final image of a human father and baby, whose skin tone and hair texture suggest that they are perhaps of South Asian descent, provides pleasing visual resolution in a book with art that outshines text.

Ho-hum. (Picture book. 2-4)

Pub Date: Sept. 5, 2017

ISBN: 978-0-8234-3753-5

Page Count: 32

Publisher: Holiday House

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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ANIMALS HIDE AND SNEAK

Handsome but so sneaky as to be frustrating.

Youngsters are invited to find the object or creature that doesn’t fit in with a similar grouping of animals.

In arrays spread out on (mostly) double-page spreads, a rocking horse hides among a drove of real horses, a cat sits with a variety of breeds of dogs, and so on. The project is wordless except for the introductory text that introduces the game with echoes of Sesame Street: “One of these things is almost like the others….” Some of the groupings are quite clever: a straight belt is placed amid a row of curvy snakes, a mechanical crane is perched between a living crane and two other long-legged birds, and the sole human figure, who looks to be a shirtless white male, is the only being to walk on two legs in a primate troop. To assist guessers, the final double-page spread shows all the outliers from the subsequent groupings. Using only yellow, purple, and a deep and dusky brown that is created when these two shades are mixed, Contraire uses stencils to create his figures against a creamy white background. While many of the animals and objects are instantly recognizable, the contrast of the mostly yellow critters against white backgrounds makes identification tricky for the board-book set. And while the book design is handsome, the lack of color variation in the art gives the offering a one-note feel.

Handsome but so sneaky as to be frustrating. (Board book. 2-4)

Pub Date: May 22, 2017

ISBN: 978-0-7148-7422-7

Page Count: 26

Publisher: Phaidon

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: July 1, 2017

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