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FOR THE LOVE OF LETTERS

THE JOY OF SLOW COMMUNICATION

Quirky, crotchety and unconvincing.

A former Time Out writer harks back to the days of handwritten letters.

O'Connell covers the book world for a number of British newspapers. Now 40, he describes himself as having been an inveterate letter writer before the days of email. Like everyone else, he admits, he was seduced by the speed and ease of email communications, but now he is rethinking the question. For him, texting and Twitter were steps too far. “[P]eople have to understand,” he writes, “we've been sold this idea of progress and it's…wrong. Just because you develop a new thing, it doesn’t mean earlier versions of that thing have to become obsolete.” The physicality embodied in a handwritten letter carries meaning, especially after the passage of time. O’Connell writes that a handwritten condolence letter he received after the death of his mother set him on this track. He also believes that a collection of letters trumps biography: Letters “encapsulate [a life] more effectively.” The author is at pains to make clear that typewritten letters are just as bad as email. Another of his bugaboos is the round-robin missive that shares family news, whatever its medium of communication. “It’s one of the tragedies of the modern world,” he writes, “the way the round-robin has survived, like some demonic post-apocalyptic cockroach.” One might think this aggressive nostalgia is a bit of tongue-in-cheek British humor if not for the fact that O’Connell devotes much of the book to excerpted correspondence by literary and political figures—e.g., Sir Walter Scott, Jane Austen, Winston Churchill, H.G. Wells and others.

Quirky, crotchety and unconvincing.

Pub Date: Jan. 1, 2013

ISBN: 978-1-4767-1880-4

Page Count: 192

Publisher: Marble Arch/Simon & Schuster

Review Posted Online: Oct. 30, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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