by John Oehler ‧ RELEASE DATE: Aug. 11, 2013
Fast and fun, if slightly flawed, literary escapism.
Oehler (Aphrodesia, 2012) delivers a fusion of mainstream thriller and historical fiction, reminiscent of The Da Vinci Code.
This engaging thriller’s narrative intertwines two distinct storylines. The first thread chronicles the last days of Queen Tiye, wife of Egyptian pharaoh Amenhotep III, as she prepares her secret burial chamber in her ancestral homeland of Nubia. Tiye, a devoted worshipper of the sun god Aten and an architect of “one of the greatest revolutions in history,” is not only preparing herself and her youngest son, Tutankhamen, for their deaths, but also their glorious resurrections. The second thread follows Rika Teferi, a former soldier in Eritrea’s bloody war for independence from Ethiopia now doing doctoral research as a scholar at the Cairo Museum, as she attempts to translate Tiye’s final message to Tutankhamen. A fateful accident, involving a cup of tea spilled on an invaluable papyrus by American scientist David Chamberlain, leads them both to a discovery that could change the course of history—and possibly cost them their lives. The novel is powered by intriguing scientific speculation, breathtaking locales, vivid description and references to Egyptian mythology. But while the plot is impressively knotty, the characters well-developed and the action virtually nonstop, some aspects of the story may strike readers as a bit contrived: The romantic relationship between Teferi and Chamberlain, for example, seems forced, and some twists at the end of the novel strain the boundaries of believability. That said, readers who enjoy intelligent, pedal-to-the-metal thrillers will find this archaeological escapade highly satisfying.
Fast and fun, if slightly flawed, literary escapism.Pub Date: Aug. 11, 2013
ISBN: 978-1479221639
Page Count: 346
Publisher: CreateSpace
Review Posted Online: April 23, 2013
Review Program: Kirkus Indie
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by John Oehler
by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by J.A. Jance
BOOK REVIEW
by J.A. Jance
BOOK REVIEW
by J.A. Jance
by Michael Crichton ‧ RELEASE DATE: May 23, 2017
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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