Readers might find this less compelling as fiction than as a glimpse into what Hollywood was “really” like.
This uneven collection focuses on issues of status and morality (or lack thereof) during the heyday of the studio star system.
One of the most popular and prolific writers of his era, O’Hara wrote novels that were adapted into movies (Pal Joey, 1957; Butterfield 8, 1960, etc.) and cashed some paychecks as a screenwriter, but he never devoted a novel to Hollywood. Yet his experiences there provided plenty of inspiration for his fiction, as this posthumous collection of 22 stories attests. Spanning 36 years, the anthology proceeds chronologically, starting with early 1930s pieces for the New Yorker that are barely stories at all, mainly vignettes or conversations of a couple pages or slightly more. In the 1960s, O’Hara progressed to longer pieces that are more engaging and compelling. Though editor Bruccoli in his introduction describes these—“Natica Jackson” and “James Francis and the Star” among them—as “primarily character stories,” O’Hara’s characters typically lack the depth and complexity of individuals and are more like stereotypes. He’s most concerned with actresses who are past their prime (or, occasionally on the verge), who invariably owe their success to accidents of looks and luck rather than to anything approaching talent. In 1969’s “The Sun Room,” a proudly notorious former star speaks for many in this collection when she says she’d like to teach an acting course where one week she’d “lecture on bust development” and the next “demonstrate the technique of the casting couch.” Writers in these stories are intellectually superior to actors, though not always morally so. Hollywood husbands are predominantly gay, even possibly the one in “In a Grove” who marries a hooker and offers her to an acquaintance for $100. Dialogue is O’Hara’s strength, though some of it dates these stories.
Readers might find this less compelling as fiction than as a glimpse into what Hollywood was “really” like.Pub Date: Feb. 1, 2007
ISBN: 0-7867-1872-2
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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