by John Pollack ‧ RELEASE DATE: April 14, 2011
A fun, cogent argument in favor of a dubious, often-damned art.
A champion punster finds hidden and significant meaning in cunning wordplay.
Pollack (Cork Boat: A True Story of the Unlikeliest Boat Ever Built, 2005, etc.), a former presidential speechwriter, was the 1995 winner of the O. Henry World Championship Pun-Off. The moderately puerile samples from that war of words, found in the introduction, should be overlooked in favor of the more sophisticated content that follows. His thesis is that puns, commonly reviled, have serious implications. After a generous definition, the author examines the etymology, neurology, anthropology and sociology of primeval gags, antique jokes and hoary wordplay. Pollack finds puns in ancient cuneiform tablets, today’s newspaper headlines, knock-knock jokes, TV comedy and movies—and, of course, in Master Shakespeare’s copious riffs. There have always been more groans than giggles from pungent critics like Sam Johnson and Oliver Wendell Holmes, but Pollack counter punches in his defense of punning, holding it to be no real mistreatment of one’s mother tongue but simply an arty vice. He provides examples of the penchant by embedding puns throughout his short text. A conjuror at this literary con game, many of his best are concealed, challenging the reader to find them all. Thus, one relevant problem is that students will long be on the alert to finding puns, present or not, in unrelated reading. Another and more perilous threat is that reviewers, those scoffing wretches, will feel challenged to pun in appraisals of this book. But, at least in this case, the pun is mightier than the “pshaw!”
A fun, cogent argument in favor of a dubious, often-damned art.Pub Date: April 14, 2011
ISBN: 978-1-592-40623-4
Page Count: 224
Publisher: Gotham Books
Review Posted Online: April 12, 2011
Kirkus Reviews Issue: Feb. 15, 2011
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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