Combat aviation buffs will enjoy Bruning’s explorations of a little-known history.
The air war in the Pacific takes a competitive turn in this overstuffed tale.
It was a stroke of genius on the part of George Kenney, a general in the U.S. Army Air Forces, when, in the early days of World War II, he orchestrated a visit from Eddie Rickenbacker, the great ace from the previous global conflict, and set up a contest that would award the first pilot to match Rickenbacker’s kill count of 26 enemy planes with a bottle of bourbon. The pilots under Kenney’s command, as Bruning (Indestructible: One Man’s Rescue Mission That Changed the Course of WWII, 2016) writes in an overlong but generally satisfying account, immediately got to work, hopping from island to island under intense enemy fire for the next three years, taking tremendous losses. At the same time, Kenney saw put into service the faster, more maneuverable Lockheed P-38 Lightning combat plane. A raid on a Japanese airfield in the Aleutians proved the worth of the P-38 combined with the earlier P-39 Airacobra fighter and B-24 bomber. In time, several pilots, including Richard Bong and Gerald Johnson, had kill counts in the two dozen range, and the race was really on. This led some to take major risks, as when a pilot named Tom Lynch violated the rule “never to make a second strafing run over the same target” and was blown out of the sky over New Guinea. A surprising moment comes near the end of the war, and the narrative, when Charles Lindbergh travels to the theater and flies with the aces even though, as a civilian, he risks being summarily executed if captured. The war had become so savage that neither side was offering any quarter, but Lindbergh “had little interest in Japanese atrocities” but instead “heaped scorn and moral outrage on his fellow Americans." A sad coda comes when two aces who survived the war died soon after in aviation accidents.
Combat aviation buffs will enjoy Bruning’s explorations of a little-known history.Pub Date: Jan. 14, 2020
ISBN: 978-0-316-50862-9
Page Count: 320
Publisher: Hachette
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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