Maybe it’s art. Maybe it’s spiritual. Like a psychotropic redemption high.
Real badass. Yeah.
When black Los Angeles tax-lawyer Charles Harmon is told by his wife Beverly that she’s pregnant, Charles falls into nightmares of her having a three-eyed baby, the third eye cobalt blue in the baby’s cheek. Shit. Charles is under an infinite hill of Yuppie Scum irritants and frustrations. Fuck. “Charles Harmon? Uppity Nigger Charles. Thing is, uppity niggers get beaten down.” He hits the rails as an FTRA (Freight Train Riders of America). Trouble is, lots of peckerwood gangers also ride the rails—and they love to gangbang Charlies and Yuppie Scum out on freedom larks. So Charles gets George Plimpton to stand up for him—George Plimpton is a wooden goony stick with a sharpened piece of steel that ’bos use for protection, and with George Plimpton at his side Charles Harmon becomes Brain Nigger Charlie, whom nobody toys with. Chocolate Walt, Charlie’s mentor on riding the rails and nominated as King of the Hoboes at the National Hobo Convention in Britt, Iowa, calls Brain Nigger for help. Will he find Corina Leslie, Walt’s niece, for him? She’s a high, high yellow 17-year-old riding the rails in the Pacific Northwest. Charlie, not just whacked out on drugs but by now deep into dementia, agrees. Now, as Ridley fans know (Stray Dogs, 1997; Everybody Smokes in Hell, 1999, etc.), the female is the deadlier of the species, although Brain Nigger will find himself up against psycho ’bos and killer yard bulls flashing clubs and rubbing the pieces strapped to their legs. Many deaths dog him, and when he finally finds Corina, she’s a mule for a neo-Nazi drug dealer and has swallowed over a dozen condoms full of drugs, can’t evacuate them, and is being chased by the bad guys. “Stay with me, all you’re going to end up is limp in a ditch,” she warns him. Actually, things end up worse than that.
Maybe it’s art. Maybe it’s spiritual. Like a psychotropic redemption high.Pub Date: Sept. 23, 2002
ISBN: 0-375-41182-8
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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