Weaving a tale that is simultaneously about race, failed systems, money, sex, family and simple rage, Safran truly did lose...
A murdered white supremacist sparks a remarkable investigation that is anything but straightforward.
It’s not often that the retelling of a brutal murder is full of laughs, but documentarian and debut author Safran is an entertaining writer. After becoming fascinated by the true-crime genre, in 2010, he heard about the murder of white supremacist Richard Barrett, whom he had once pranked for a TV series. Armed with some personal knowledge of the victim, Safran headed for Mississippi, where he expected to uncover a racially charged crime and a defendant deserving his sympathy. However, he discovered that Barrett’s black neighbors were mourning the victim, unaware that he was racist. That confusion was only the beginning. Whispers of homosexuality, possible schizophrenia and more continued to surface, with each new layer murkier than the last. Safran bounced among police and lawyers and families, neighbors, acquaintances and enemies of both the victim and perpetrator, and he documents every step, misstep, conspiracy theory and just plain weird encounter. While laughing at himself and the often absurd situations in which he was embroiled, Safran creates a rare animal: a true-crime account that provides no hard answers or even smoking guns but plenty of promised ones. The narrative moves in so many directions it feels like a carnival fun house—though it’s always a pleasurable reading experience. Safran never found a way to neatly wrap up the story. Instead, he presents all the layers and angles, portraying a world that is more than black and white, where sometimes the absolute truth is an impossible dream and the only option left is acceptance of a flawed mystery.
Weaving a tale that is simultaneously about race, failed systems, money, sex, family and simple rage, Safran truly did lose a year in Mississippi, and getting lost with him is a joy.Pub Date: Nov. 28, 2014
ISBN: 978-1594633355
Page Count: 368
Publisher: Riverhead
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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