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OCEAN PREY

Sprawling and only intermittently suspenseful till that last act: below average for this distinguished series.

No oceans in Minnesota, you say? That won’t stop Lucas Davenport and Virgil Flowers, who are clearly determined to burn through their bucket list on the federal government’s dime.

The murders of three Coast Guard officers chasing a suspicious boat in Florida waters by crooks who set fire to the boat moments after abandoning it send shock waves through the DEA, the FBI, and eventually the U.S. Marshals Service. In short order Lucas and his colleague and pal Bob Matees find themselves on a task force Florida Sen. Christopher Colles convenes to find the drugs the fugitives managed to dump into the Atlantic before they shot their pursuers and arrest everyone in sight. The duo’s modus operandi seems to be to talk to everyone who’s seen anything, and then talk to everyone they’ve mentioned, and so on, taking regular breaks to drink, reminisce, and swap wisecracks. Everything is so relaxed and routine that fans of this long-running series will just know that Sandford has something more up his sleeve, and he does. Eventually the task force’s net widens to make room for Virgil, who, working with Marshal Rae Givens, hires himself out to the criminals as a diver who can retrieve those drugs while Lucas and his allies work their way higher and higher up the food chain of baddies. The cast is enormous and mostly forgettable, but Sandford manages to work up a full head of steam when Lucas realizes that his scorched-earth tactics have put Virgil and Rae in serious danger.

Sprawling and only intermittently suspenseful till that last act: below average for this distinguished series.

Pub Date: April 13, 2021

ISBN: 978-0-593-08702-2

Page Count: 432

Publisher: Putnam

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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THE CROSSROADS

More than any of his earlier cases, the comatose hero’s 26th adventure bears the hallmarks of a formal detective story.

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Wyoming Game and Fish Warden Joe Pickett has been shot plenty of times before. But this time may be the last.

As Joe hovers between life and death in a Billings hospital, Box indicates that Dorn Peddy and James Dale O’Bryan are the two men who ambushed him, shot him, and left him for dead. But he doesn’t reveal who hired them or why. That’s left up to Joe’s three daughters: bird-abatement firm chief executive Sheridan, Bozeman private eye April, and University of Wyoming undergrad Lucy. Since the man who reported the incident to the Twelve Sleep County Sheriff’s Department has disappeared, the most that newly appointed Sheriff Steve Sondergard can do is to warn Sheridan and her sisters away from the case. But the fact that both the shooters and the witness seem to have come from one of exactly three places presents an obvious appeal to the younger Picketts, who plan to each visit one place and question the owners simultaneously before they can warn each other that anyone’s coming. The only problem is that all the possible suspects—billionaire Michael Thompson and his wife, Brandy, of the Double Diamond Ranch; ranchers John and Shelby Bucholz, of the Bucholz Cattle Company; and secretive sisters Lisa and Lainie McElwee, of McElwee Land and Cattle Ranch—act equally guilty. As Box unspools a series of flashbacks showing what Joe was up to in the weeks before the ambush, one question assumes paramount importance: Can Joe’s daughters identify which of them is behind the plot to murder their father before the hired gunmen visit the hospital and try again?

More than any of his earlier cases, the comatose hero’s 26th adventure bears the hallmarks of a formal detective story.

Pub Date: Feb. 24, 2026

ISBN: 9780593851098

Page Count: 352

Publisher: Putnam

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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