James Bond meets Tom Swift, with the last word reserved not for extraterrestrial encounters but for international piracy,...
Quite a departure for Sandford, who sets aside his Lucas Davenport crime franchise (Gathering Prey, 2015, etc.) and partners with photographer and sci-fi buff Ctein to leave Earth’s gravitational field for the rings of Saturn.
Sanders Heacock Darlington may be nothing more than a wealthy, handsome intern assigned to the Sky Survey Observatory, but he’s the one who accidentally notices the evidence that something’s approaching the gravitational field of Saturn and decelerating. Heavenly bodies don’t decelerate that way, but spaceships do, and soon President Amanda Santeros (hey, it’s 2066) is pulling out all the stops to send a mission to Saturn to investigate. The stakes are so high that only a few people—Capt. Naomi Fang-Castro, who’s quickly drafted as mission commander; Dr. Rebecca Johansson, who’s charged with designing the ship’s power plant; David “Crow” Crowell, the rough-and-ready security chief; and a handful of others—are told from the beginning that Saturn is the destination of the Richard M. Nixon. The goal behind this deception—to keep the Chinese from launching a competing mission—predictably fails, and the space race is on. Unlike their Chinese counterparts, who seem to get all the smooth sailing in the solar system, the Americans are beset by troubles. One of their two power reactors keeps shutting down. An accident in deep space claims a valued crew member. A mathematician aboard the Nixon starts an orgy club. The authors ladle on the tech details and blossoming romances, but the pacing is frustratingly episodic and discontinuous for both the characters and the readers until the ship reaches its destination, at which point the story assumes the momentum it needs to escape the ringed planet’s formidable gravitational pull.
James Bond meets Tom Swift, with the last word reserved not for extraterrestrial encounters but for international piracy, state secrets, and a spot of satisfyingly underhanded political pressure.Pub Date: Oct. 6, 2015
ISBN: 978-0-399-17695-1
Page Count: 496
Publisher: Putnam
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.
A war novel/religious allegory about cats, dogs and giant ants driven by a hive mind. Yes, really.
So, let’s imagine W. Bruce Cameron’s silly and maudlin A Dog’s Purpose recast as a violent and frightening post-apocalyptic global battle for the souls of Earth’s survivors, layered with a messiah prophecy that makes The Matrix look simplistic by comparison. If that’s a bit much, maybe just think Animal Farm re-imagined by Orson Scott Card. Either way, you end up with this devilishly entertaining debut about anthropomorphized animals caught in a conflict between an invading army of insects and the planet’s few remaining humans. The novel begins from the point of view of Sebastian, an aloof but observant house cat whose only true companion is a dog named Sheba. Through animal eyes, he describes Earth’s descent into chaos as giant ants—that’s Hymenoptera unus to you—break through the planet’s crust to wreak havoc on human civilization. At the heart of their plan is the decision to release a virus that gives all animals self-awareness, a bipedal structure and better-than-human intelligence. After the change, Sebastian recreates himself as the cat-warrior Mort(e), the hero of a breakaway army called The Red Sphinx. “Don’t you all know who this is?” says his superior to a new crop of recruits. “This is Mort(e). The hero of the Battle of the Alleghenies. The Mastermind of the Chesapeake Bridge Bombing. The crazy bastard who assassinated General Fitzpatrick in broad daylight. This choker was killing humans before some of you were born.” After a while the story gets kind of messy with a memetic virus called “EMSAH,” the aforementioned prophecy and the preordained battle to end all wars, but it’s still awfully good sci-fi that imagines a world where humans are no longer at the top of the food chain.
A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.Pub Date: Jan. 20, 2015
ISBN: 978-1-61695-427-7
Page Count: 368
Publisher: Soho
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A well-paced page-turner with a sour ending.
Perfect wife, perfect life, right? Not so fast.
Delaney (Believe Me, 2018, etc.) returns with a domestic artificial-intelligence thriller. Five years after an accident, Abbie wakes up covered in bandages and surrounded by machines. The catch? This isn’t the real Abbie; this Abbie is a cobot, or “companion robot.” The real Abbie—a wild, beautiful artist and devoted mother—was never found. Her husband, Tim, a Steve Jobs type complete with God complex and anger issues, owns Scott Robotics, a cutting-edge Silicon Valley darling. Tim has spent half a decade and an enormous amount of resources to bring his wife back. The novel is told from the alternating perspectives of Abbie the cobot, who propels the novel forward, and Scott Robotics employees, who provide a Greek chorus of exposition. Cobot Abbie doesn’t just look like her namesake: She has her thoughts, memories, and voice; feels maternal toward Danny, her autistic son; and begins to learn the original Abbie's secrets. But she also is her own person—well, robot. The tension between the inherited and innate is portrayed nicely, and the ethical questions surrounding Abbie are interesting. If robots are capable of feelings, empathy, and pain, should they have the same rights as humans? If not, how should they be treated? There’s a particularly heartbreaking scene when cobot Abbie makes a bouillabaisse—without senses of taste or smell—and uses rotten fish bones. With shame and despair, Abbie thinks, “Your stock—your beautiful, elaborate, saffron-infused fumet—was poisoned from the start.” To add insult to injury: Artificial smelling technology exists but Tim has cut corners. A fitting metaphor. The twist—or, rather, twists—is genuinely surprising and quite disturbing, but it feels like a slap in the face by taking away what little agency had been given to the female characters.
A well-paced page-turner with a sour ending.Pub Date: Aug. 6, 2019
ISBN: 978-1-5247-9674-7
Page Count: 432
Publisher: Ballantine
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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