With its narrow take on what it means to be American, Sandford’s collection seems determined to make the genre great again.
Sandford, creator of the action-packed Lucas Davenport and Virgil Flowers franchises, reprints 20 tales of murder and mayhem in the latest entry of this Penzler-curated series.
Although he would like to engage in “an intellectual tour of the history or theory of short-story writing,” what Sandford really has on offer is a highly masculinized exploration of fairly recent concerns. Fifteen of these stories are by white men, the remainder by white women. Their themes include pursuit and intrusion. A hit man stalks his prey in Gerri Brightwell’s “Williamsville.” A driver pursues a motorcyclist in Wallace Stroby’s “Night Run.” An olfactorily-challenged serial killer seeks his next victim in Peter Straub’s “The Process Is a Process All Its Own.” Men also defend what they see as theirs. An injured boxer looks for the lucky shot that will keep a Mexican upstart from making inroads against his Irish family’s franchise in Doug Allyn’s “Puncher’s Chance.” A pot grower finds a way to keep poachers off his land in Dan Bevacqua’s “The Human Variable.” A rural farmer defends his pregnant wife against intruders in C.J. Box’s “Power Wagon.” And Jim Allyn combines flight and intrusion in “The Master of Negwegon,” a tale of military buddies who team up to catch the fourth member of their crew who’s killed a teenager for despoiling his pristine forest. Readers will find the occasional relationship story. A mobbed-up transplant to California forms an unlikely friendship with an elderly Italian horse-whisperer in Steven Popkes’ “The Sweet Warm Earth.” Joyce Carol Oates offers a tale of love gone wrong in “The Woman in the Window.” And relationships can grow out of intrusion, as the protagonist of K. McGee’s “Dot Rat” discovers.
With its narrow take on what it means to be American, Sandford’s collection seems determined to make the genre great again.Pub Date: Oct. 3, 2017
ISBN: 978-0-544-94908-9
Page Count: 384
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...
Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.
Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.Pub Date: Sept. 1, 2003
ISBN: 0-399-15106-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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