A Heinlein-like adventure for a serious sci-fi fan.
Scalzi (Redshirts, 2012, etc.) offers his fifth in the Old Man’s War series.
The Colonial Union keeps peace among the universe’s humans, albeit one fractured after Earth’s withdrawal. Blame John Perry and Jane Sagan, Roanoke Colony leaders. Earth’s billions had provided Colonial Defense Forces troopers and outpost settlers, which allowed the Colonial Union to cope with the machinations of the Conclave, an alliance of alien (nonhuman) species. Scalzi rockets characters through assorted space adventures, with repeated appearances by Lt. Harry Wilson, CDF technician and Earth native, who finds himself wherever the action is, whether that’s in space disarming a missile trap set for the Utche, an alien species with whom the Colonial Union is negotiating, or caring for an ambassador’s dog whose survival figures into an alien civil war. Other players pop up repeatedly, including two CDF colonels, a hard-line ambassador and a female starship captain. Starships use "skip drive" to outwit Einsteinian physics and "skip drones" to communicate across light years. Human characters communicate in dialogue laced with 21st-century humor and irony, even among the CDF troopers (repurposed 75-year-old earthlings) equipped with "BrainPals," neural-computer implants. The aliens too function with socioethical and political mores replicating Machiavelli, authoritarians or third-rate dictators. Laced with oddball humor, the plot is not so esoteric that a newbie to sci-fi’s outlier world cannot follow, and the science buy in isn’t so great as to cause those who mastered introductory physics to stumble. The story simply launches human quandaries and foibles into the universe—greed, aggression, duplicity, arrogance, chauvinism and other distinctly human negatives—where they are imposed on alien circumstances, creatures and environments. Females share power and failure equally, but sex and romance take a back seat to wildcat settlements, derring-do heroes, missiles fired and messages misunderstood, all of which are offset by stunning technology, imagined landscapes and the covert destruction of Earth Station by spaceships piloted by brains-in-boxes. That makes for a gateway to the next episode.
A Heinlein-like adventure for a serious sci-fi fan.Pub Date: May 14, 2013
ISBN: 978-0-7653-3351-3
Page Count: 432
Publisher: Tor
Review Posted Online: March 10, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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