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MAARTEN MAARTENS REDISCOVERED

THE MOST POPULAR DUTCH AUTHOR ABROAD

An odd but alluring retelling of the works of an obscure author.

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Schwartz (Some Women I Have Known, 2015, etc.) reintroduces a forgotten Dutch literary giant in this work of literary criticism.

Jozua Schwartz, under the pseudonym Maarten Maartens, was one of the most popular novelists writing in English at the turn of the last century—a feat made even more impressive by the fact that he spent most of his life in the Netherlands and that his first language was Dutch. So popular were his 14 novels and four volumes of short stories that Maartens became an intimate of Andrew Carnegie and was hosted at the White House by President Theodore Roosevelt. Following his death in 1915, however, Maartens’ work fell into near total obscurity—an injustice that the author of this volume seeks to set right. A great-nephew of Maartens’, he offers this introduction to 13 of the writer’s novels, with a second volume covering his first self-published novel and short fiction to follow. Schwartz writes in his introduction that the book “is not a scholarly effort. It is a collection of impressions of Maartens’ novels as his nephew experienced them.” After a short overview of Maartens’ life and career, Schwartz grants a chapter each to Maarten’s commercially published novels. Each includes a few notes on the novel’s publishing history, its reception, its principal characters, a summary of the story’s events, a brief note on its themes, and a selection of choice passages. The thorough summaries make up a majority of the text, averaging 25 pages each, and they’ll give readers a sense of Maartens’ talent and craft. Several of them, including those for The Sin of Joost Avelingh (1889) and God’s Fool (1892), may make readers want to seek out the original novels. As a means of stirring more interest in the author, the book succeeds, although anyone planning on reading the novels perhaps shouldn’t read too far into the summaries. Readers may wonder why Schwartz hasn’t simply republished the novels themselves, as they’re surely now in the public domain. Even so, there’s something wonderfully Borges-ian about reading summarizations of unread novels of a forgotten writer. One hopes that Maartens will return to print in the near future.

An odd but alluring retelling of the works of an obscure author. 

Pub Date: N/A

ISBN: 978-1-939688-61-3

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: July 28, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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