by John Seabrook ‧ RELEASE DATE: Feb. 16, 2000
A New Yorker staffer explores the convergence of highbrow and lowbrow—nobrow—as salesmanship replaces worth. As a prime offender, he cites The New Yorker in its Brownian-Newhousian incarnation. The days when taste denoted power and power embodied taste were disappearing even as Russell Lynes wrote The Tastemakers years ago. Now what rules is buzz. The new buccaneers of buzz, the commercial arbiters of what tomorrow’s fashion must be, are in charge, says Seabrook (Deeper, 1997). Kicking off in quasi-gonzo mode, he soon settles into more traditional reportage. There is even a riff on the old-school haberdashery of his dandy father, hauled out in contrast with the current style of his own expensive T-shirts, which are inscribed with advertising or made not to be laundered. Seabrook takes us along to pay tribute to a 15-year-old quondam rock star and immerses us in the blare and hustle of MTV. We tour the hip emporia of SoHo, check in with the ineffable David Geffen, and visit Star Wars—not the film but the marketing industry, including the elusive George Lucas himself. Content is commotion, melody is cacophony, ephemera is all, and teenage funk rules, man. It’s phat, it’s fly, it’s trash. Seabrook, a thoughtful Ivy Leaguer who recently turned 39, is high on hip-hop. He’s a fan of rap and such enigmatic entities as Rage Against the Machine and Dr. Dre. He sees former boss Tina Brown as Madame de Pompadour in a product-placement society in which the artists formerly known as Mozart and Shakespeare are replaced from top to deep, deep bottom by talentless “performance artists” and gangsta rap. A lively ethnology of a strange society that is devoid of culture in any classical sense, one whose wayward press enthusiastically celebrates what looks more and more like a mosh pit. It’s a report from a cultural black hole.
Pub Date: Feb. 16, 2000
ISBN: 0-375-40504-6
Page Count: 240
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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