A twisted thriller that explores despair and loneliness with cinematic flair.
Three people search for connection but find themselves drawn into something far darker.
Ever since her husband of almost 50 years died in an accident, Skyla Hull has lived alone in one of two cottages on their property, right beside the decrepit drive-in theater they used to run. But now that her vision has deteriorated, she needs another set of eyes, so she rents out the other cottage to a British man named Teddy Cornwell. Meanwhile, Teddy has been reconnecting with his first love, Linelle Dufort, who’s dissatisfied with her marriage and looking for companionship. Jeremy, a character who's seemingly unconnected to the others other than a brief mention from Teddy, is an unhappy writer who detests his physical appearance. When he gets a writing assignment that will take him back to the city where his first love still lives, he thinks that maybe there’s still hope for them. As Skyla gets to know Teddy, it seems that he might be hiding something—and Skyla herself isn’t exactly forthcoming about what happened to her husband, who she’d discovered was cheating on her. When Linelle decides to turn her online flirtation with Teddy into something real and pays him an unannounced visit, all the characters' lives crash together. The three points of view are initially quite disconnected, and it can be difficult to keep track of the disparate stories at first. But when they finally do converge, the result is satisfying, with a twist that’s hard to see coming. Searles creates convincingly desperate, isolated people who would do anything to feel loved.
A twisted thriller that explores despair and loneliness with cinematic flair.Pub Date: March 22, 2022
ISBN: 978-0-06-077965-8
Page Count: 336
Publisher: Custom House/Morrow
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
PROFILES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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