Smelcer’s (Indian Giver, 2016, etc.) new novel focuses on the residential Indian boarding schools, where, according to the headmaster of the infamous Carlisle Indian School, the main purpose was to “kill the Indian to save the man.”
The novel shares the experiences of four Native American children stolen from their families and then taken to Wellington, a fictional residential school referred to by its students as “Wekonvertum,”—that is, we-convert-them to the mainstream culture. The four protagonists, Simon, Noah, Elijah, and Lucy, live in traditional Native homes in different geographic regions of the country. When government men arrive with legal documents, the families are forced to send them to Wellington. There, the children bond quickly and help one another survive inadequate food and clothing, cruel punishments, and the “English Only” signs. Unfortunately, readers are given only occasional, glancing hints to the 1950s time setting beyond the general absence of references to modern technology and communications. Without firm context, references to King Kong may well have teen readers mistakenly imagining the 2005 version. Furthermore, the protagonists' tribal affiliations are not explicitly provided, beyond one boy's punishment for speaking Navajo; Smelcer mostly uses the term “Indian.”
Pub Date: Aug. 9, 2016
ISBN: 978-1-935248-82-8
Page Count: 200
Publisher: Leapfrog
Review Posted Online: June 1, 2016
Kirkus Reviews Issue: June 15, 2016
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A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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BOOK REVIEW
A satisfying if slightly lesser sequel. (Romance. 13-17)
37
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Lara Jean's romantic entanglements complicate themselves further.
In the wake of the events detailed in To All the Boys I Loved Before (2014), Lara Jean confesses her love for handsome golden boy Peter. This frees the pair to start a romantic relationship with a clean slate, but over the course of the novel it becomes clear that embarking on a relationship that turns an aggressive blind eye to baggage is never a good idea. When a viral video of a steamy love session between Peter and Lara Jean rears its ugly head and a boy from the past enters Lara Jean's life once more, Lara Jean's life gets complicated. Every character from Han’s adored previous novel is back, with new dimensions given to nearly every one of them. Subplots abound, among them two involving Lara Jean's father and Peter's ex-gal Genevieve, but benefitting most from this second look is John Ambrose McClaren, a boy briefly referenced in the former book who is thrust into the spotlight here as Peter's rival for Lara Jean's heart. With all these characters bouncing around, Han occasionally struggles to keep a steady hand on the novel's primary thrust: Lara Jean’s emotional development. Han gets the job done in the end, but this overeventful sequel pales to the original where structure is concerned. The author's greatest success remains her character work, and the book does indeed give everyone a solid arc, narrative be damned.
A satisfying if slightly lesser sequel. (Romance. 13-17)Pub Date: May 26, 2015
ISBN: 978-1-4424-2673-3
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: July 4, 2015
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