by John Spray ; illustrated by Mies van Hout ‧ RELEASE DATE: Sept. 26, 2019
Arresting illustrations and prosaic observations don’t quite make a coherent whole.
Colorful, expressive pictures of cats are accompanied by brief text.
Each double-page spread features a feline portrait. From a swirly green, blue, and yellow cat stretching ecstatically to a cozy, curled-up kitty in warm shades of pink, red, and orange, 20 different cats are featured. The vivid artwork dominates. Bright hues, scribbly lines, and high-contrast backgrounds combine to create pictures that pop, and the relatively large trim size adds to their impact. The accompanying words, unfortunately, fail to match the illustrations’ intensity. They are written in a repeating pattern that includes the title, four lines/phrases, and (usually) a single word as the fifth and final line. Some are convincingly catlike. One cat’s angry diatribe over a thrown-away scratching post and another sly cat’s plan to pin the pet fish’s demise on the dog both seem believable and offer a hint of humor. Others depict situations that feel predictable, preachy, or even confusing: Why does one hearth-loving old cat claim to have 20 lives? Changes in type and font size as well as multiple exclamation points and ellipses are presumably meant to indicate emphasis but make for a too-busy read. The paintings were apparently originally published with poems by five different authors in the book’s original, Dutch edition; Spray’s text is original to this Canadian import.
Arresting illustrations and prosaic observations don’t quite make a coherent whole. (Picture book. 5-9)Pub Date: Sept. 26, 2019
ISBN: 978-1-77278-087-1
Page Count: 44
Publisher: Pajama Press
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by John Spray
by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Craig Smith ; illustrated by Katz Cowley
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by Doug MacLeod ; illustrated by Craig Smith
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by Adam Osterweil and illustrated by Craig Smith
by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Kwame Alexander & Deanna Nikaido ; illustrated by Melissa Sweet
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by Kwame Alexander ; illustrated by Dare Coulter
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