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ORWELL'S NOSE

A PATHOLOGICAL BIOGRAPHY

An unusual perspective illuminates a much written-about author.

A biography of George Orwell (1903-1950) based on his “obsessive relationship with smell.”

Having recently lost his sense of smell, Sutherland (Emeritus, English/Univ. College, London; A Little History of Literature, 2013, etc.) noticed that Orwell was hypersensitive to odors and loved the smell of farmyard animals and other “uplifting natural smells.” Although Sutherland asserts that it is possible to trace “scent narratives” in Orwell’s fiction, his “nasocriticism” rarely fulfills that project. Instead, Sutherland offers a brisk biographical overview, drawing in part from previous biographies that he admires: Bernard Crick’s, authorized by Orwell’s widow (1980), and later works by D.J. Taylor and Gordon Bowker, both published in 2003. Sutherland’s Orwell is awkward, cynical, and generally unsympathetic. He was a bright student, winning a scholarship to a prestigious prep school, and then went on to Eton, where he met two influential and wealthy young men who helped him to get published; one “immensely and discretely” supported him as he lay dying of tuberculosis. Poverty was a consistent theme in Orwell’s life and work. Sutherland does not dispute rumors that Orwell was a “flagellophile” who derived “a fetishized sexual thrill from the whip and being whipped,” nor that he went to Burma (“the biggest brothel in the Empire”) for sex; nor that he was attracted by “the androgynous beauty of the dominant Burmese race.” As a young man, he botched his relationship with a girlfriend by nearly raping her as they walked through the countryside, a landscape that Orwell found “wildly aphrodisiac.” When he finally married, in 1936, his mother told his new wife that she must be “a brave girl” to marry her son. The couple lived in an “uncomfortably primitive” house in a remote village, where they tried to farm. Sutherland offers three “smell narratives” as appendices, but, otherwise, few odors waft through the book.

An unusual perspective illuminates a much written-about author.

Pub Date: Sept. 15, 2016

ISBN: 978-1-78023-648-3

Page Count: 240

Publisher: Reaktion Books

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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