by John T. Draper C. Wilson Fraser ‧ RELEASE DATE: N/A
A singular and entertaining tech account.
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A debut biography/memoir tells the story of Silicon Valley outlaw Captain Crunch.
Draper, once known by the pseudonym Captain Crunch, is most famous for inventing “the little blue box,” a homemade piece of phone-hacking equipment that allowed users to make calls anywhere in the world for free. (Two of the people he shared his invention with were youngsters Steve Wozniak and Steve Jobs, who briefly manufactured and sold a version of the box.) But Draper’s career and influence went far beyond this early innovation of the Phone Phreak movement. Working as a contractor for the company that Jobs and Wozniak went on to found—a little outfit called Apple Computer, Inc.—Draper developed the first word processor. Later, as a thought leader of the internet privacy movement, he created the first working firewall. A prankster, rabble-rouser, and eventual activist, he landed himself in prison several times during the 1970s and ’80s for his hacking activities, leading many figures in Silicon Valley to hold him at a distance. With the help of Fraser, Draper is now telling his story for the first time: the inventions, the police busts, the parties, and the chance encounters in a world populated by tech entrepreneurs and countercultural freaks. Fraser’s frame narration, which is primarily set in the recent past and follows the composition of the book, is sharp and readable. But it is the sections narrated by Draper himself where the real meat is, even if these are rendered in his simple prose. Here he describes his activities after being released from jail one time: “We headed back up to San Jose. I had to report to my probation officer. I hooked up with Woz again when I got back up to Silicon Valley. He had built a few more complete Apple II prototypes.” The book’s self-aware structure and the prominence of Fraser as a character are peculiar choices, but a work about a figure as idiosyncratic as Draper is bound to be a bit odd. Anyone interested in the rise of the tech industry should be fascinated by the strange but influential role that Draper—Captain Crunch—played on its margins.
A singular and entertaining tech account.Pub Date: N/A
ISBN: N/A
Page Count: 245
Publisher: FriesenPress
Review Posted Online: June 7, 2018
Kirkus Reviews Issue: July 15, 2018
Review Program: Kirkus Indie
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Emmanuel Carrère ; translated by John Lambert
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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