Not only provocative, this report is illuminating and fully accessible to members of the faith and doubters alike.

THE VATICAN DIARIES

A BEHIND-THE-SCENES LOOK AT THE POWER, PERSONALITIES, AND POLITICS AT THE HEART OF THE CATHOLIC CHURCH

A seasoned reporter on the Vatican beat takes us for an irreverent and revealing visit.

Frequently from the vantage of the reportorial fly on the wall, Thavis, retired Rome bureau chief of the Catholic News Service, looks candidly at the goings-on at Saint Peter’s. His report, even without comment on the problematic events at the Vatican Bank, serves as a case study in management—and mismanagement—at a considerable worldwide enterprise with 400,000 priestly representatives. Though much history resonates throughout all church events, Thavis concentrates on the history he has witnessed firsthand, including the process of bell-ringing on the naming of a new pope and the work of various functionaries in the organization. We learn of the fight to save a unique ancient cemetery against the need for more underground parking and how the matter of the Legion of Christ was bungled when its founder was revealed as a thieving predator and why His Holiness didn’t deal with an anti-Semitic bishop. Thavis also relates his time on the road with the pontiff and notes a futile visit by George W. Bush. He reviews the stalled drives to canonize the late John Paul or Pius XII, whose wartime role is still debated. Especially provocative are the chapters dealing with the mismanagement of diverse sex scandals and, finally, an appraisal of the opaque personality of Benedict, who seems, at least in public, detached, disengaged and often distracted. Like many in political life, the incumbent pope’s remarks are subject to considerable spin, “part of the great communications disconnect at the Vatican.” (Yet now His Holiness has acquired the Twitter handle “@pontifex.” How it’s used remains to be seen.)

Not only provocative, this report is illuminating and fully accessible to members of the faith and doubters alike.

Pub Date: Feb. 21, 2013

ISBN: 978-0-670-02671-5

Page Count: 336

Publisher: Viking

Review Posted Online: Dec. 13, 2012

Kirkus Reviews Issue: Jan. 1, 2013

Did you like this book?

No Comments Yet

THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

Did you like this book?

No Comments Yet

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

THE BOOK OF GENESIS ILLUSTRATED

The Book of Genesis as imagined by a veteran voice of underground comics.

R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.

An erudite and artful, though frustratingly restrained, look at Old Testament stories.

Pub Date: Oct. 19, 2009

ISBN: 978-0-393-06102-4

Page Count: 224

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2009

Did you like this book?

No Comments Yet
more