An intellectually stimulating and emotionally resonant collection.
A book of poems that toggles between the head and the heart.
Tripoulas combines philosophical ponderings with indelible memories. He opens with “Fish Hooks,” a contemplation of bronze fish hooks from the 4th century BCE, preserved behind glass at the Piraeus Archeological Museum in Greece. He notes that despite “centuries beneath the sea,” they’re the same shape of hooks found in tackle stores today. While in Florence, Italy, the speaker of “Ekphrastic Theology” realizes that “Uffizi’s many Annunciations / often portray literate Mary / with book in hand. In “Asemic,” the speaker observes that Buddha, Christ, and Socrates never held a pen, perhaps because “Only their disciples turned to / written manifestation (manus, hand), / trying to make revelation / tangible, like grasping the wind.” Other poems have a more modern, personal tone; “Insomnia” recalls a grandfather’s cigarettes singeing "the skin of his two fingers / and turning them yellow.” Still others tell stories that are certain to surprise readers, such as “Mike Gabel in Hell,” in which a deceased friend visits the speaker in a dream to inform him that the friend didn’t die by suicide, but that his wife murdered him—a dream proven true when police reinvestigate the friend’s death. Tripoulas is primarily a philosophical poet, which can occasionally make for cumbersome lines, such as “Opposites are one, / wrote the Riddler, / like lyre and bow they beget / the clashing power / of polar strife.” (“Looking for Heraclitus in the Samaria Gorge”). Other works can be quite dark, such as “Faces Are Silent Words,” inspired by a 10-year-old girl who drowned during a refugee crossing: “Her face is missing, scoured by sea brine, / her small nose eaten by fish.” Whenever the poet turns his gaze toward nature, he does so stunningly, as in this evocative description of autumn: “leaves swoon to their death / like costumed tragic actors. / Bereft bare branches / high above, grieve.” (“Two Views of Autumn”). Throughout, the author unearths remarkable truths about what he sees as timeless and universal in the human experience.
An intellectually stimulating and emotionally resonant collection.Pub Date: April 1, 2024
ISBN: 9781962847056
Page Count: 138
Publisher: Dos Madres Press
Review Posted Online: July 18, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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