Well-drawn characters and a dynamic situation but in the end, just a bit too much.
The seventh Dave Gurney thriller opens with a lesson on the unreliability of eyewitnesses and then takes up a series of lurid crimes committed in a village where nothing is what it seems.
Super-detective Gurney, retired from the NYPD, is still periodically drawn into especially difficult investigations, which is why his former partner Mike Morgan has called. Morgan's departure from the NYPD was not as unblemished as Gurney's, but he has landed well and is now chief of police in Larchfield, home to a number of wealthy individuals and mostly the creation of the Russell family. When Angus Russell, the current patriarch, is murdered in his own mansion, there is considerable uproar, and Morgan asks Gurney to help manage the investigation and divert a little of the world's attention from himself. The crime-scene evidence points directly at Billy Tate, a man who had strong motives for murdering Russell but who was, frustratingly, already dead, the victim of a lightning strike the day before Russell was killed. From this puzzling but admittedly gripping beginning, the investigation uncovers progressively more baroque variations on the theme of deceptive appearances. First, it's established that Tate might have survived the lightning bolt and the subsequent fall from the church steeple, because he was a tough guy and, well, who knows about lightning? More bodies pile up, and the emergence of several characters who also might have wanted Russell dead suggests that Tate may have had help. Morgan, while not actually obstructing the investigation, seems to have reasons to want the case closed quickly. At each turn, Gurney helps to classify, consider, and clarify evidence and the theories the evidence gives rise to, but he, too, is somewhat misled. The residents of Larchfield are an admirably unlovable bunch, seething with resentments and snubbed privilege, and Gurney and his wife are pleasantly down-to-earth, but overall the plot mechanics reach too far beyond the merely astonishing.
Well-drawn characters and a dynamic situation but in the end, just a bit too much.Pub Date: March 16, 2021
ISBN: 978-1-64009-310-2
Page Count: 400
Publisher: Counterpoint
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Chavez delivers a fraught if flawed page-turner that attempts too many twists.
A good Samaritan incurs a psychopath’s wrath in this debut thriller.
Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.
Chavez delivers a fraught if flawed page-turner that attempts too many twists.Pub Date: Feb. 18, 2020
ISBN: 978-0-06-293617-2
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
Sublimely bitchy. What else is there to know?
A salon owner who serves the upper-crust women of Atlanta’s Buckhead neighborhood recalls the events that led up to the death of one of them.
Once Congressman Bryce Madison has divorced Shannon Madison, who still insists on using his last name, and marries trophy wife Crystal, the first order of business for Olivia Petrov, the monstrous vice chairwoman of the Buckhead Women’s Foundation, is to get Shannon voted out as the organization’s chairwoman—a decision she announces to Shannon in the middle of a gala Shannon organized. Olivia’s second order of business is to get Shannon nixed as a client by Jenny at the Glow Beauty Bar and unfriended by upscale realtor Karen Richardson, whose husband, plastic surgeon Mark Richardson, Olivia has called on repeatedly for services both professional and unprofessional. But Shannon’s not about to go gently into that good night; Karen is busy falling for Keisha, Jenny’s friend and employee; and Crystal, who’s hiding secrets of her own, may not be the ideal new member of the frenemies group Olivia has gathered around her. As she’s questioned by Detective Frank Sanford, Jenny is joined by four other narrators—Olivia, Karen, Shannon, and Crystal—who take turns dishing on each other and heartlessly detailing all the offensive and defensive moves each of them made. As Rose sends her juiced-up take on Clare Boothe Luce’s classic play The Women hurtling toward a conclusion whose only clearly preordained feature is that one of them will end up killing one of the others, suspense focuses mainly on why only one of these eminently deserving ladies ends up dead.
Sublimely bitchy. What else is there to know?Pub Date: April 26, 2022
ISBN: 979-8-20070-684-6
Page Count: 272
Publisher: Blackstone
Review Posted Online: Jan. 13, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
BOOK REVIEW
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