Well-drawn characters and a dynamic situation but in the end, just a bit too much.
The seventh Dave Gurney thriller opens with a lesson on the unreliability of eyewitnesses and then takes up a series of lurid crimes committed in a village where nothing is what it seems.
Super-detective Gurney, retired from the NYPD, is still periodically drawn into especially difficult investigations, which is why his former partner Mike Morgan has called. Morgan's departure from the NYPD was not as unblemished as Gurney's, but he has landed well and is now chief of police in Larchfield, home to a number of wealthy individuals and mostly the creation of the Russell family. When Angus Russell, the current patriarch, is murdered in his own mansion, there is considerable uproar, and Morgan asks Gurney to help manage the investigation and divert a little of the world's attention from himself. The crime-scene evidence points directly at Billy Tate, a man who had strong motives for murdering Russell but who was, frustratingly, already dead, the victim of a lightning strike the day before Russell was killed. From this puzzling but admittedly gripping beginning, the investigation uncovers progressively more baroque variations on the theme of deceptive appearances. First, it's established that Tate might have survived the lightning bolt and the subsequent fall from the church steeple, because he was a tough guy and, well, who knows about lightning? More bodies pile up, and the emergence of several characters who also might have wanted Russell dead suggests that Tate may have had help. Morgan, while not actually obstructing the investigation, seems to have reasons to want the case closed quickly. At each turn, Gurney helps to classify, consider, and clarify evidence and the theories the evidence gives rise to, but he, too, is somewhat misled. The residents of Larchfield are an admirably unlovable bunch, seething with resentments and snubbed privilege, and Gurney and his wife are pleasantly down-to-earth, but overall the plot mechanics reach too far beyond the merely astonishing.
Well-drawn characters and a dynamic situation but in the end, just a bit too much.Pub Date: March 16, 2021
ISBN: 978-1-64009-310-2
Page Count: 400
Publisher: Counterpoint
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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