A witty, incisive portrait of contemporary France.
An American in Paris reflects on fantasy and reality.
When journalist von Sothen moved to Paris with his pregnant French actress wife, he counted on staying only a few years in the legendary city of beauty and sophistication. Now, 15 years later, he makes his book debut with a deft, shrewd, and entertaining take on his adoptive home, a place far different from how it is conveyed in winsome movies like Amelie and books like Peter Mayle’s sun-dappled A Year in Provence. Living in the multiethnic, economically diverse 10th arrondissement, von Sothen has observed at close hand homelessness, vagrancy, crime, and the plight of undocumented immigrants and refugees. Yet his Parisian community has felt safe, without the “palpable aggressiveness” that he sensed on his visits to America. In France, social programs provide for free or subsidized child care; free health care, including a doctor who will come to your home 24 hours a day; a good local public school; and laws that ensure affordable housing even in areas that are being gentrified. Although in some Parisian neighborhoods “streets were cleaner and ruined lives were less in your face,” the author prefers the gritty 10th to posh arrondissements that he once assumed were “the embodiment of French wonderfulness.” He skewers some of the customs that also once seemed enviable: long, frequent vacations and long, highly choreographed dinner parties. Every six weeks, schools have two-week breaks, during which working parents sign their children up for some extracurricular activity that will occupy them—or else depend on grandparents, “flown in like the Army corps of engineers,” to supervise. The summer break requires “planning as early as Christmas time” and vacationing—sometimes awkwardly—“en groupe” with assorted other couples. The presidential race between Emmanuel Macron and Marine Le Pen gives the author a chance to ring in on the “disenchantment and disillusionment” of French voters, who, he reports with admiration, “in the end, found their true north.”
A witty, incisive portrait of contemporary France.Pub Date: May 7, 2019
ISBN: 978-0-7352-2483-4
Page Count: 288
Publisher: Viking
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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