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DRAWN IN ASH

A kindhearted and capable hero headlines this engaging magic tale.

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A mage uses her newfound political power to help others when she suddenly finds herself a dynasty’s queen in this fantasy.

Shopkeeper Everys scrapes together a living in her neighborhood of Fair Havens. She can only rely on herself, as all her family is gone save her hapless brother, who’s always short of “blades” (the local currency). She’s also a skilled mage, but those “dark arts” are unlawful in the Xoniel Dynasty. One day, without warning, royal guards round up Everys and other women and take them to the royal palace. Before Everys even knows what’s happening, King Narius singles her out, and the two are bound in marriage. Since the new queen has no official duties, she decides to do some good; rather than spend her hefty annual budget on clothes or furniture, Everys wants it to go to Fair Havens’ mostly poor residents. She continues to defy the way things are traditionally done, such as pushing for peace with a longtime enemy. It’s much easier to do once she realizes how much sway she has; Narius must be married for his reign to be “legitimate,” which Everys could ruin simply by leaving. At the same time, the palace’s “resident rabble rouser” struggles to keep her magic under wraps, but that hardly seems possible when assassins come after the royal family. Meanwhile, Narius, like Everys, didn’t have a choice regarding the marriage, as circumstances separate him from the woman he truly loves. But then he (and many others) can’t help but be mesmerized by the dynasty’s whip-smart and compassionate queen.

Otte’s worldbuilding is impeccable. Readers will recognize familiar fantasy elements in these faraway lands, such as feuding kingdoms and astounding feats of magic. But there are just as many guns as swords, along with technology (digital scribers and identity scanners) and aircraft (cloud skimmers). A likable and indelible woman leads the cast; Everys’ benevolence is an unmistakably genuine trait, so it’s not surprising when the queen stops Narius’ public opinion polls from sinking further. Everys’ potent magic comes complete with a superb visual. Some call her a “scribbler,” as she uses her ink-covered fingers (or whatever substance she can write with) to draw runes on various things. This sometimes leaves her with telltale signs of the illegal act she’s committed—stained hands or fingers. Everys’ engaging relationship and probable romance with Narius starts on bad terms; his royal lineage exiled her people, the Siporan, 400 years ago. Elsewhere, supporting characters shine, especially Narius’ handsome brother, Prince Quartus, and royal guard Redtale, an 8-foot Ixactl who sports gray skin and horns. They and others in the dynasty face such tense situations as terrorists setting off bombs in a city and seemingly aggressive acts from a neighboring land called Dalark. The story, which has series potential, also realistically shows the pitfalls of leadership. Everys helps so many, but one of her decisions inadvertently disregards an entire group of people, including someone she’s grown close to. Otte’s prose favors political discourse over action, although there are instances of combat and vigorous displays of Everys’ mage prowess.

A kindhearted and capable hero headlines this engaging magic tale.

Pub Date: Dec. 8, 2022

ISBN: 979-8985810301

Page Count: 422

Publisher: Self

Review Posted Online: Oct. 3, 2022

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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