An always entertaining, thoughtful balance between action and deeper issues.
A propulsive sci-fi thriller that pits American and Chinese moon colonies against one another.
Logan Reynolds is an engineering director who’s temporarily in charge of Asgard, an international (though mainly American) lunar colony at the moon’s South Pole, while his boss travels to Earth for budgeting discussions. Tang Lei lives on Shangdu, the Chinese moon colony, serving as governor of its ruling committee; despite her role, she’s skeptical of Communist Party propaganda, both on Earth and in the colony: “Why are my fellow citizens so paranoid that the capitalist West is out to destroy us? Lei found it ludicrous, considering the richest people on Earth included Chinese nationals who accumulated their wealth through capitalist business.” Safrini “Rini” Riyani is an asteroid miner who’s keen to explore new opportunities in space. Once the novel carefully establishes each of these characters’ perspectives, it scrambles the narrative with the explosion of a nuclear bomb on Earth, leading to immediate global nuclear war and annihilation. Logan’s temporary leadership becomes permanent, and he must now develop a plan—not only for the future of his colony, but for all of humanity. To make matters worse, many in the Chinese colony believe that the United States “wiped out China with their nuclear weapons,” so they want to immediately destroy Asgard in retaliation; Lei, however, wants to stop this course of action from happening. In the midst of this already heated conflict, Wegener unexpectedly introduces the perspective of yet another character: Jonas Anders, the president of the United States, who managed to escape Earth in a “Space Orbital Bunker.” He claims that he didn’t order a nuclear strike; in fact, he believes that a nongovernmental entity orchestrated a synchronized attack. Wegener keeps the propulsive story moving at a breakneck pace, with secret agents, double-crossings, and rogue elements. Yet, the story also takes moments to slow down and delve into larger global and political issues, as characters intriguingly grapple with the remnants of nationalism, and whether it should persist beyond Earth.
An always entertaining, thoughtful balance between action and deeper issues.Pub Date: Aug. 16, 2024
ISBN: 9798224679652
Page Count: 354
Publisher: N/A
Review Posted Online: July 20, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
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