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FIRST CONSONANTS

This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.

A speech disorder shapes a boy’s life in countless, often violent ways in Treat’s novel.

Brian Moriarty, born in the mid-20th century, has a stuttering problem. He doesn’t respond well when people (including a teacher and later a female student) laugh at his disorder, so Brian, who lives in a ranch home in Tummus, Washington, avoids speaking as much as he can. As such, he mostly keeps to himself, even when at home with his parents and his younger brother Bruce, aka “Bam.” He’s also prone to grim contemplation, setting his own life “rules” that generally involve meting out punishment against people he deems guilty. (“It was the sheer act of violence, an end worthy in itself because it restored Brian to a fixed presence in the world, irrefutable and due him.”) He does, at the same time, suffer abuse, from his father, who uses his hands to make a point, and a priest who betrays Brian’s trust. As his tumultuous life continues, Brian gets a job translating French and Russian documents, which allows him to write—and not worry about speaking—these languages. He finds a steady relationship with Mary, a schoolmate who overcame stuttering but whose twin brother did not. The two plan a future and a potential family, though Brian’s violent tendencies don’t simply go away. Perhaps things will change once he makes it to Utopia, Alaska, a place he’s long dreamed about, where he can disappear into its forests and never have to say anything.

Treat effectively portrays Brian’s recurrent issues with stuttering and stammering; for example, Brian steers clear of particular letters he has trouble with, including the B in his own name (Alaska first catches his attention because it’s easily pronounceable). He personifies his stutter as the sharp-nosed Joker from a pack of playing cards, his “secret friend” who sporadically pops into the narrative to taunt Brian about his life. Brian is a complicated protagonist and decidedly hard to empathize with. Readers may suspect an unchecked mental condition informing his actions: “The sole thing competing with the ballpoint’s scratching noises were voices quarreling in his head. One was the Joker’s, and it was the loudest and most insistent.” Brian tries to validate such questionable choices as mercilessly beating more than one individual for minor slights. He abides by his own rules (making violence permissible) and finds common ground with a notable literary figure who, in their own story, kills someone. The rest of the cast is indelible, even from Brian’s third-person perspective. Mary is supportive and genuinely understands what Brian is going through, not unlike the school-assigned speech therapist who suggested the boy maintain a “stuttering diary” to focus on both bothersome words and associated feelings. Surprisingly, Bam is the only character who gets a dedicated chapter, which details the ways in which his older brother’s intermittent punches have affected him as an adult. The unpredictable ending may provide a chance for Brian, if he so chooses, to redeem himself.

This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.

Pub Date: Sept. 20, 2022

ISBN: 9781938841866

Page Count: 318

Publisher: Jaded Ibis Press

Review Posted Online: Aug. 1, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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