by John Whittier Treat ‧ RELEASE DATE: Sept. 20, 2022
This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.
A speech disorder shapes a boy’s life in countless, often violent ways in Treat’s novel.
Brian Moriarty, born in the mid-20th century, has a stuttering problem. He doesn’t respond well when people (including a teacher and later a female student) laugh at his disorder, so Brian, who lives in a ranch home in Tummus, Washington, avoids speaking as much as he can. As such, he mostly keeps to himself, even when at home with his parents and his younger brother Bruce, aka “Bam.” He’s also prone to grim contemplation, setting his own life “rules” that generally involve meting out punishment against people he deems guilty. (“It was the sheer act of violence, an end worthy in itself because it restored Brian to a fixed presence in the world, irrefutable and due him.”) He does, at the same time, suffer abuse, from his father, who uses his hands to make a point, and a priest who betrays Brian’s trust. As his tumultuous life continues, Brian gets a job translating French and Russian documents, which allows him to write—and not worry about speaking—these languages. He finds a steady relationship with Mary, a schoolmate who overcame stuttering but whose twin brother did not. The two plan a future and a potential family, though Brian’s violent tendencies don’t simply go away. Perhaps things will change once he makes it to Utopia, Alaska, a place he’s long dreamed about, where he can disappear into its forests and never have to say anything.
Treat effectively portrays Brian’s recurrent issues with stuttering and stammering; for example, Brian steers clear of particular letters he has trouble with, including the B in his own name (Alaska first catches his attention because it’s easily pronounceable). He personifies his stutter as the sharp-nosed Joker from a pack of playing cards, his “secret friend” who sporadically pops into the narrative to taunt Brian about his life. Brian is a complicated protagonist and decidedly hard to empathize with. Readers may suspect an unchecked mental condition informing his actions: “The sole thing competing with the ballpoint’s scratching noises were voices quarreling in his head. One was the Joker’s, and it was the loudest and most insistent.” Brian tries to validate such questionable choices as mercilessly beating more than one individual for minor slights. He abides by his own rules (making violence permissible) and finds common ground with a notable literary figure who, in their own story, kills someone. The rest of the cast is indelible, even from Brian’s third-person perspective. Mary is supportive and genuinely understands what Brian is going through, not unlike the school-assigned speech therapist who suggested the boy maintain a “stuttering diary” to focus on both bothersome words and associated feelings. Surprisingly, Bam is the only character who gets a dedicated chapter, which details the ways in which his older brother’s intermittent punches have affected him as an adult. The unpredictable ending may provide a chance for Brian, if he so chooses, to redeem himself.
This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.Pub Date: Sept. 20, 2022
ISBN: 9781938841866
Page Count: 318
Publisher: Jaded Ibis Press
Review Posted Online: Aug. 1, 2024
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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