by John Whittier Treat ‧ RELEASE DATE: Sept. 20, 2022
This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.
A speech disorder shapes a boy’s life in countless, often violent ways in Treat’s novel.
Brian Moriarty, born in the mid-20th century, has a stuttering problem. He doesn’t respond well when people (including a teacher and later a female student) laugh at his disorder, so Brian, who lives in a ranch home in Tummus, Washington, avoids speaking as much as he can. As such, he mostly keeps to himself, even when at home with his parents and his younger brother Bruce, aka “Bam.” He’s also prone to grim contemplation, setting his own life “rules” that generally involve meting out punishment against people he deems guilty. (“It was the sheer act of violence, an end worthy in itself because it restored Brian to a fixed presence in the world, irrefutable and due him.”) He does, at the same time, suffer abuse, from his father, who uses his hands to make a point, and a priest who betrays Brian’s trust. As his tumultuous life continues, Brian gets a job translating French and Russian documents, which allows him to write—and not worry about speaking—these languages. He finds a steady relationship with Mary, a schoolmate who overcame stuttering but whose twin brother did not. The two plan a future and a potential family, though Brian’s violent tendencies don’t simply go away. Perhaps things will change once he makes it to Utopia, Alaska, a place he’s long dreamed about, where he can disappear into its forests and never have to say anything.
Treat effectively portrays Brian’s recurrent issues with stuttering and stammering; for example, Brian steers clear of particular letters he has trouble with, including the B in his own name (Alaska first catches his attention because it’s easily pronounceable). He personifies his stutter as the sharp-nosed Joker from a pack of playing cards, his “secret friend” who sporadically pops into the narrative to taunt Brian about his life. Brian is a complicated protagonist and decidedly hard to empathize with. Readers may suspect an unchecked mental condition informing his actions: “The sole thing competing with the ballpoint’s scratching noises were voices quarreling in his head. One was the Joker’s, and it was the loudest and most insistent.” Brian tries to validate such questionable choices as mercilessly beating more than one individual for minor slights. He abides by his own rules (making violence permissible) and finds common ground with a notable literary figure who, in their own story, kills someone. The rest of the cast is indelible, even from Brian’s third-person perspective. Mary is supportive and genuinely understands what Brian is going through, not unlike the school-assigned speech therapist who suggested the boy maintain a “stuttering diary” to focus on both bothersome words and associated feelings. Surprisingly, Bam is the only character who gets a dedicated chapter, which details the ways in which his older brother’s intermittent punches have affected him as an adult. The unpredictable ending may provide a chance for Brian, if he so chooses, to redeem himself.
This dour coming-of-age tale thoughtfully explores how abuse impacts many people’s lives.Pub Date: Sept. 20, 2022
ISBN: 9781938841866
Page Count: 318
Publisher: Jaded Ibis Press
Review Posted Online: Aug. 1, 2024
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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