A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.
A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.
Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.
A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.Pub Date: Feb. 11, 2025
ISBN: 9781984879325
Page Count: 464
Publisher: Pamela Dorman/Viking
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
PERSPECTIVES
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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