An interesting premise that’s stuffed with too many characters.
A British woman struggles to deal with her eminent family’s legacy and her own unhappiness as she opens an eclectic shop in her hometown.
Suzanna Peacock’s mother, Athene, a glamorous socialite who was known for being flighty and spoiled, died before Suzanna could ever get to know her. Raised by her father and his second wife, Vivi, Suzanna grew up with lots of love but also Athene’s complicated legacy hanging over her head. That’s why Suzanna was all too happy to escape her family and move to London. But when she and her husband, Neil, are forced to move back to her small hometown and live on the family estate, Suzanna feels trapped and isolated. Looking for an outlet, she opens a shop, The Peacock Emporium. She fills it with things she finds beautiful and offers espresso, hoping to create a place of her own. What she inadvertently designs, though, is a gathering place for the town’s residents. Suzanna becomes particularly interested in Alejandro, a male midwife from Argentina who seems to understand her more than her husband does. She also makes friends with Jessie, a friendly and free-spirited young mother who starts working in the shop. With the help of several townspeople, Suzanna discovers that she must take control of her own life and come to terms with her family’s history if she ever wants to be happy. Moyes excels at creating quirky characters and sweeping stories, but her latest lacks the sense of humor and epic love story that made her hit Me Before You (2012) such a success. Although this is Suzanna’s story, frequent point-of-view shifts are distracting and make it more difficult to focus on her journey. Still, there are quite a few tear-jerking scenes and lovable characters that should make Moyes fans happy.
An interesting premise that’s stuffed with too many characters.Pub Date: April 9, 2019
ISBN: 978-0-7352-2233-5
Page Count: 432
Publisher: Penguin
Review Posted Online: Jan. 15, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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