A powerful family melodrama drenched in sadness and guilt with hints of redemption.
Two violent deaths in the same spot 34 years apart bookend an American family horror story from the heartland.
In 2018, Vivian Davidson returns to the ruin of the house in Thompsonville, Colorado, where she shot former lover Ruben Ray to death back in 1984, to hang herself. Why did she kill Ruben, and why did she wait so long after getting away with murder to kill herself? These are only the first of the many questions that torment Holt Davidson, the son who pulls himself away from his job as a firefighter in Topeka to come to her funeral after learning of his mother's death from her best friend, police widow Joyce Brandt. It’s a small service, attended mostly by Pastor Boswell and Vivian’s fellow congregants from the First Lutheran Church. Vivian’s brother, musician Bobby Hartwick, isn’t there because he’s playing on the road somewhere, and Holt’s older sister, Ophelia Davidson, isn’t there because she’s staying in a halfway house after long years of institutionalization following a breakdown. Looking through his mother’s house in search of answers, Holt finds several things—a handgun, a Polaroid shot of the dead Ruben, an unsigned love letter—that raise even more questions, and he sets out in dogged pursuit of the truth. Each damning new confession he wrings from the people connected to the two fatalities attempts to paper over the even more shocking revelations to come, and each of these revelations brings new grief. No wonder Holt tells Joyce: “I should stop digging. Before it’s too late.” But it’s already too late.
A powerful family melodrama drenched in sadness and guilt with hints of redemption.Pub Date: May 10, 2022
ISBN: 978-1-79993-888-0
Page Count: 256
Publisher: Blackstone
Review Posted Online: Feb. 4, 2022
Kirkus Reviews Issue: March 1, 2022
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.
Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.
Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?
Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.Pub Date: June 24, 2025
ISBN: 9781668033876
Page Count: 384
Publisher: Atria
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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