This is for readers who love a slow, methodical reveal.
Moore’s latest novel (Heft, 2012, etc.) deals with the debilitating effects of memory loss on a father and his young daughter, using a computer program as a powerful aid for uncovering a seemingly lost family history.
Ada Sibelius is 12 when she first notices a change in her father, the brilliant head of a computer science laboratory in 1980s Boston: “She could not articulate what was different in his demeanor, but it triggered a deep-seated uneasiness in her.” Ada’s childhood hasn’t been normal; her home schooling takes place at the lab, where she goes each day with David, as well as through puzzles that test the knowledge Ada is constantly receiving. She has no friends her age: Liston, her father’s co-worker and close friend, serves as her only female confidante. So when David starts to forget things, even disappearing for hours at a time, to whom can Ada go for help? She’s reluctant to betray the secret of the only person who understands her: “They…looked like mirror images of one another; one larger, one smaller: a Rorschach test; a paper snowflake, unfolded." But then David’s condition begins to worsen rapidly, and Ada is forced to move in with Liston’s family. During this transition in custody, questions surrounding David’s past and identity begin to surface. But he’s no longer capable of explaining himself. Years later, Ada is working in Silicon Valley, and she still doesn’t have answers. What remains of her father before his decline is his life’s work, the language-processing program ELIXIR. David spent hours each day speaking with ELIXIR, teaching it new phrases. Can the program help Ada understand who David really was? While David’s mystery drives the story, this is an internally focused narrative that develops slowly through thoughts and observations rather than actions. This makes sense, as David's and Ada’s existences are so contained, but it takes patience to reach the point when the story becomes gripping. The biggest impact comes in the last chapter, which brings things together powerfully—if only chapters like this were intermingled throughout.
This is for readers who love a slow, methodical reveal.Pub Date: July 26, 2016
ISBN: 978-0-393-24168-6
Page Count: 448
Publisher: Norton
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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