by Jon Entine ‧ RELEASE DATE: Jan. 1, 2000
pages b&w photos)
A brave sprint in the marathon of genetic racial equality.
Journalist and award-winning TV producer Entine writes lucidly about a forbidden topic. After O.J., it takes courage to discuss race science, nature vs. nurture, and brains vs. brawn. Sure, African-Americans dominate major American sports, but even black scholars here ask why every Olympic 100-meter finalist is black. The middle chapters explore the checkered history of blacks in America sports. Two centuries before the NBA, whites marveled at the slaves' superior athleticism. "Our sports and dances was big sport for the white folks," said one ex-slave. Readers discover that Paul Robeson, the actor-singer-communist, was an all-American and "the finest wide receiver of his era"—a Phi Beta Kappa valedictorian who went on to Columbia Law. Entine compares the defiant boxing champ Jack Johnson to Dennis Rodman. When he beat "the Great White Hope" in 1910, some whites consoled themselves with notions of their mental superiority. Jesse Owens's and Joe Louis's victories mocked theories of eugenics and white supremacy. The more recently fashionable environmental approach to the question is weakened by Michael Jordan's middle class background. After noting that Dodger executive Al Campanis and sportscaster Jimmy the Greek (who felt former slaves were bred to be athletic) lost their careers suggesting blacks were better athletes, Entine presents the evidence that makes his argument unusually ambitious and controversial: graphs of fast twitch muscles, comparisons of Scandinavian and African runners, and studies of the jumping ability of various races. (It’s true: White men really can’t jump.) The heavier bone density of whites may help them dominate swimming, though this is also one of the expensive, country club sports that Entine uses to present the sociological view. Courageous enough to ask tough questions about the uneven playing field, forthright enough to present hard evidence. (8
pages b&w photos)Pub Date: Jan. 1, 2000
ISBN: 1-891620-39-8
Page Count: 400
Publisher: PublicAffairs
Review Posted Online: April 30, 2011
Kirkus Reviews Issue: Jan. 1, 2000
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by Jon Entine
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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