Intriguingly textured short stories, generally of a disquieting nature when they can be deciphered.
In Fotch’s debut collection, cryptic short stories simmer with the potential for violence and menace.
Most of the narratives in this trim anthology unfold as simple vignettes or fragmentary impressions of situations, delivered in stylized prose that challenges the reader to make logical sense of the dire things that are transpiring. “Frank,” perhaps the collection’s most accessible piece, is a first-person workplace satire from the point of view of an office worker—a demonic scion of a dark religious cult—who goes about his workday carrying the bloody head of a sacrificial victim while narrating in mundane, watercooler banter. “Rabbit Man” reveals that imaginary childhood playmates will, under some circumstances, follow their wards into the grown-up world, even into the hellish reality of bottomed-out drug addiction. The title story describes a place where all bananas are manufactured (“No one knows that the bananas they lovingly slice atop their kid’s breakfast cereal are made and assembled in an industrial factory that has a hazmat permit from the state”), an employer of minimally skilled workers with bad attitudes. More sobering is “Closet,” which conveys the panicked impressions of a family man caught in the outbreak of a nuclear war. A post-apocalyptic tone also hangs over the puzzling “Forks,” in which a mother bloodily gives birth to an “egg” every year in time for a Christmas feast. In other tales, a homicide accomplice prepares to flee pending the arrival of the actual murderer, who may be imaginary (“Troy”); a psychiatric clinic's captive can hear the thoughts of nearby “dogs” (“Dogfight”); and a betrayed husband transfers his affections to a seabird (“Beatrice”). The material leans toward the fantastic, surreal, and macabre, and its often mystifying nature immerses the reader in Fotch’s eerie dreamworld all the more deeply.
Intriguingly textured short stories, generally of a disquieting nature when they can be deciphered.Pub Date: Oct. 8, 2022
ISBN: 9781667859804
Page Count: 132
Publisher: BookBaby
Review Posted Online: March 9, 2023
Kirkus Reviews Issue: May 1, 2023
Review Program: Kirkus Indie
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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