by Jon J Muth ; illustrated by Jon J Muth ‧ RELEASE DATE: Feb. 25, 2014
Throughout, condensed poetic image coupled with spare illustration yields huge effect; in a word, magical.
Long before photography, poets took to haiku, the poetic equivalent of a snapshot, and painters, to the suggestive medium of watercolor to capture the essence of moments in nature.
Caldecott Honoree Muth (Zen Shorts, 2005) employs both, with the help of his playful panda Koo, to present 26 moments through the seasons. Though light in tone and geared toward pre-reader eyes and interests, the mostly outdoor scenes Muth depicts command serious attention from all. The first page simultaneously demonstrates both Muth’s adherence to haiku’s three-line form rather than its traditional five-seven-five syllabic sequence and his exquisite use of white space. “Autumn, / are you dreaming / of new clothes?” reads the text as Koo reaches up to try to catch a handful of falling leaves. One of the few scenes referencing indoor living hilariously comes in early spring: “too much TV this winter / my eyes are square / let’s go Out and play.” Two children and Koo stand in front of a large television, the whites of the children’s eyes boxed and zombielike and Koo’s, two solid black squares. A more reflective, deeply moving spring moment finds the children alone with a book in the woods, Muth’s delicate watercolor and subtle inking deftly suggesting the forest’s shifting scope.
Throughout, condensed poetic image coupled with spare illustration yields huge effect; in a word, magical. (Picture book/poetry. 3 & up)Pub Date: Feb. 25, 2014
ISBN: 978-0-545-16668-3
Page Count: 32
Publisher: Scholastic
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
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PROFILES
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: Sept. 26, 2023
Hugely entertaining, timely, and triumphant.
Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.
When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.
Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)Pub Date: Sept. 26, 2023
ISBN: 9780316669412
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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