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ADDY'S CUP OF SUGAR

BASED ON THE BUDDHIST STORY OF "THE MUSTARD SEED"

From the Stillwater series

A master class of picture-book storytelling.

Based on a Buddhist tale, this modern adaptation tells a story of loss and acceptance.

Addy, a young White girl, has a kitten she’s named Trumpet for his “tooting” meow, and when she’s with him “the world [is] brighter and warmer.” But shortly after moving to a new neighborhood, Trumpet is hit by a car. Muth doesn’t mince words here, and that’s refreshing. But Addy is very sad and bewildered, and she goes to see the wise panda Stillwater, her friend, for help. Stillwater tells her he will make some medicine for her, but first he needs her to go around to the neighbors and get a cup of sugar—but the sugar can only come from a house that hasn’t experienced any death. With simple, direct storytelling, Muth reveals the immanence within everyday life, a theme underscored by the perfect watercolor illustrations. Both juxtaposing warm and cool palettes and using highlights and shadows—rather than line—to define people and objects, he creates images that fairly shimmer with atmosphere and show the strength of the watercolor medium in an expert’s hands. Nuanced images of Trumpet-shaped clouds and figures on the Earth underscore the immortality of memories, which Addy comes to eventually realize. This gracefully told story will comfort readers who have experienced death with its healthy truth while the gorgeous illustrations will uplift them. Secondary human characters are diverse.

A master class of picture-book storytelling. (author's note) (Picture book. 4-10)

Pub Date: Oct. 20, 2020

ISBN: 978-0-439-63428-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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