Limpidly beautiful watercolors and a wry, puckish gentleness mark these three Zen stories, one for each of three children. Michael, Karl and Addy discover a giant panda in their backyard. (“He spoke with a slight panda accent.”) His name is Stillwater, and he tells Addy the tale of his Uncle Ry, who gave the robber who could find nothing to steal in his house his own tattered robe. (The robber, in the black-and-white illustrations that mark the three stories, is a raccoon.) When Michael comes to visit, he climbs a tree to sit with Stillwater, who tells the story of the farmer’s luck. Karl comes to visit carrying too much stuff for Stillwater’s wading pool, and hears just the right story for him. The pictures are as full of peace and solace—and humor—as the text: The title page has the panda dancing in a pair of oversize shorts; the cake Addy brings for tea has a stalk of bamboo in it for Stillwater; Karl and the panda bow to each other at the end of their day. The Buddha lurks in the details here: Every word and image comes to make as perfect a picture book as can be. (author’s note) (Picture book. 5-9)
Pub Date: March 1, 2005
ISBN: 0-439-33911-1
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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