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CLASS WAR IN AMERICA

HOW THE ELITES DIVIDE THE NATION BY ASKING ARE YOU A WORKER OR ARE YOU WHITE?

A bracing and thought-provoking study of race and class clashes in American history.

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Jeter, a former Washington Postforeign correspondent, examines the fraught history of race and class in America.

“What is to be done now,” asks the author, “as the country disintegrates into political chaos and those of us who are fully awake wait anxiously for the rest of the nation to join us in reclaiming this land from the bloodsucking capitalists who have robbed us blind?” In these pages, Jeter presents readers with a far-ranging survey of American history to trace tangled and interconnected stories of race and class relations going back to before the U.S. Civil War. The author refers to his project as “a journey through time” undertaken to “assess what has been wrought by this ferocious, 150-year class war between the Americans who built the country and those who own it.” Focusing on racial issues, Jeter looks at incidents such as the 1898 racial massacre in Wilmington, North Carolina, in which “white supremacists overthrew the progressive, interracial government on the pretext of Black male predation despite a lack of any evidence.” On the labor relations side, he walks readers through events like President Franklin Roosevelt’s 1935 signing of the Wagner Act, recognizing the right of employees to bargain collectively with their employers, which, among other things, was a signpost moment in the long “antagonistic relationship” between the American Federation of Labor and Black American workers.

Jeter’s narrative skill is remarkable; he writes with both passion and clarity about the ways “the white settler elite has historically deployed…false accusations to stir up murderous passions, creating a smokescreen for dispossession.” The picture he paints of America’s ruling capitalist oligarchy constantly pitting workers against each other along racial lines is vigorously convincing, even when he lapses into over-generalizations: “White workers typically respond to financial uncertainly by abandoning the class struggle to instead punch down on African Americans, who they invariably see as a threat to their racial identity and the privileges afforded to it.” His narrative’s main weakness is its sprawl, which blunts its focus. The book bounces all over the last 150 years, from the death of Ethel Rosenberg to the murder of Emmett Till to the Korean War to the Montgomery bus boycott to the Supreme Court’s Brown v. Board of Education ruling to President Clinton’s repeal of the Glass-Steagall Act to Charleston mass shooter Dylann Roof—Jeter even makes a detour to discuss a dispute he had with an acquaintance over a personal loan he was late in repaying. The author manages to draw connecting threads between most of these subjects, but the sheer number of data points may leave some readers yearning for more focus. Still, the power of Jeter’s insights is consistently stunning, and his rhetoric is often thrillingly sharp, as when he describes “Black respectability politics increasingly promoted by an African American bourgeoisie that, however well-meaning, operated from a misguided understanding of Black laborers as a defeated people whose best chance was to obey white folks and hope for the best.” All of these insights are enlisted in the cause of exposing the “the gaping spiritual wound left by a battery of invectives, bullying, and profiling.”

A bracing and thought-provoking study of race and class clashes in American history.

Pub Date: Oct. 8, 2024

ISBN: N/A

Page Count: -

Publisher: Drum Publishing

Review Posted Online: Sept. 21, 2024

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  • New York Times Bestseller

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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