A surfeit of tail-wagging, face-licking love.
Journalist Katz, creator of suburban detective novels (Death Row, 1998, etc.) and introspective nonfiction (Running to the Mountain, 1999, etc.), goes completely and passionately to the dogs.
At the start of his Year of the Dog, the most meaningful canines in his life were Stanley and Julius, two notably sweet Labrador retrievers. When they died—mourned mightily by their owner, their buddy, their pal—their places were taken by Devon and then Homer, a couple of young border collies, members of a particularly touchy breed. The intense training of Devon, at first almost feral, in the Jersey ’burbs quickly developed into a battle to determine who was to be the alpha male. Devon and Jon browbeat each other repeatedly, and for a while it was touch and go. But after many serious conversations and a few fierce confrontations, the dog conceded the test of wills to the writer. Still, Devon continued high maintenance, willful and stealthy, leaping into a raging river and regularly raiding the fridge just for the hell of it. Homer, by contrast, was notably laid back, but he actually proved capable of herding sheep, as border collies were meant to do. Sheepherding may not be an imperative in Montclair, New Jersey, but since Katz promised his collies the opportunity, he is conscientious in following through. He pays proper tribute to his wife and daughter, but this tale is practically all Katz and dogs. There is much canine psychology and anthropomorphism, of course, as “the boys” commune with their biographer through ear wiggles, barks, and limpid looks. In the interest of further male bonding, the author is even learning the rudiments of the shepherds’ calling. It’s enough to leave like-minded readers panting.
A surfeit of tail-wagging, face-licking love.Pub Date: March 12, 2002
ISBN: 0-375-50297-1
Page Count: 224
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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