A steadily turning kaleidoscope of vivid, unsettling images.
A look at the genius, madness, cruelty and sensitivity of an acting legend.
Writing a biography of stage-film-TV actress Stanley, author Krampner (The Man in the Shadows, 1997) faced a daunting challenge. Stanley fabricated accounts of her life, leaving the author to sort matters out. (She was not born in Texas, as she always insisted, but in Albuquerque.) Some theater artists found her luminous, while others found her behavior indulgent and enraging. Katharine Hepburn walked out of a nascent project when Stanley, a proponent of Method acting, started writhing on the floor; another actor chased her around backstage with an axe. Krampner plies these storm-tossed waters by hewing to a thoroughly documented account of the actress’s career. Stanley turned to acting to receive the approval her Southern Baptist father withheld. After brief work in regional theater, she set out for New York, where, during the 1950s, her acting early on drew raves. Her performances in Picnic and Bus Stop became legendary. So did her behavior. She chugged alcohol to the point that actor Kevin McCarthy insisted she’d just thrown up before she kissed him onstage in The Cherry Orchard. She often cancelled performances and usually wangled out of contracts soon after her plays had opened. She fared better on TV in brilliant one-night performances during the golden age of live drama. She worked on five films, most notably The Goddess and Séance on a Wet Afternoon. Her appearance in The Cherry Orchard in London in 1965, directed by Lee Strasberg, went down as one of the greatest disasters in modern theater history, effectively ending her stage career. She was, Krampner concludes, a Mona Lisa—astounding, but unknowable.
A steadily turning kaleidoscope of vivid, unsettling images.Pub Date: June 15, 2006
ISBN: 0-8230-8847-2
Page Count: 248
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
BOOK REVIEW
BOOK REVIEW
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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