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THE MAN IN THE SHADOWS

FRED COE AND THE GOLDEN AGE OF TELEVISION

A long-neglected pioneer of live TV drama is appropriately praised but not brought to life in this biography by a contributing editor to Emmy magazine. Krampner ably interweaves the stories of Coe's rise in television and the growth of live TV drama in the 1940s and '50s, demonstrating Coe's crucial role in the flowering of that form. It needed both Coe's eye for acting talent (bringing young Grace Kelly and James Dean to TV) and his ability to attract and edit fine writers to produce enduring dramas like The Trip to Bountiful, The Days of Wine and Roses, and Marty, and the understated comedy Mr. Peepers. With the demise of live TV, Coe turned to producing Broadway successes like A Thousand Clowns. But after withdrawing from one of these (Fiddler on the Roof) he began to decline. Some successes, more failures, and serious drinking followed, until his death in 1979. All of Coe's artistic accomplishments serve his contention that ``there's nothing duller than rich people!,'' which became the driving force behind his trademark kitchen-sink dramas. Keys to his inner life are more elusive, however, despite accounts of his failed marriages and his father's early death. Some of the author's conclusions are also unconvincing. Though Coe lacks the cachet of other early TV luminaries, it is untrue that ``today, Fred Coe is forgotten.'' He lives on in the works of those he nurtured—Paddy Chayefsky, Horton Foote, Delbert Mann, and others- -and in TV's continued ability to succeed in the domestic drama. Coe's life may be sad, but it is not—as Krampner labels it— tragic, at least not as presented here. Similarly, comparisons to underappreciated filmmaker D.W. Griffith, which Krampner makes throughout the book, do not fully ring true. As the only sustained resource on Coe, this book is useful to media scholars, but as dramatic reading, it wants the poetic humanity of Coe's works. (20 b&w illustrations, not seen)

Pub Date: Feb. 1, 1997

ISBN: 0-8135-2359-1

Page Count: 272

Publisher: Rutgers Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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