Though he’s published 6 novels and over 80 short stories, Breen is best known as an Edgar-winning reviewer—a reputation this uneven retrospective of 17 tales is unlikely to change. At his best, Breen is a superb mimic, and the title story, a sendup of Ross Macdonald, is a minor classic of merriment. But other parodies fall flat. “The Big Nap,” which apes British writers trying to create hard-boiled detectives, and “Captain Benvolio Bullhorner,” which enrolls Horatio Hornblower in the NYPD, are merely quaintly dated, and “The Pun Detective and the Danny Boy Killer” is nothing but amiable persiflage. Both parodies like “Woollcott and the Vamp” (Alexander Woollcott meets Theda Bara) and straight stories like “The Tarnished Star” (High Noon versus the blacklist) start promisingly but peter out. Fans of Breen’s horse-racing stories will find only a single example (“Jerry Brogan and the Kilkenny Cats”), and the rest of the lineup, from the baseball anecdote “The Mother’s Day Doubleheader” to the fairy-tale homage “Clever Hans,” showcases Breen the journeyman rather than Breen the master. Fans will be happy to see five chronicles of child-of-the-century hero Sebastian Grady gathered together. The volume as a whole, though, will probably please fans alone.
Pub Date: Dec. 1, 1999
ISBN: 0-7862-2250-6
Page Count: 247
Publisher: Five Star/Gale Cengage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
It's clearly Cat’s meow, and if you respond positively to her tempestuous carryings-on, then you'll probably forgive Iles...
A serial killer who puts the bite on victims is the villainous center of a long, long psychothriller, as southern Gothic as it gets.
Dr. Catherine (Cat) Ferry is a forensic odontologist, which is to say “an expert on human teeth and the damage they can do.” In four cases enlivening the New Orleans crime scene, however, the damage done is mostly posthumous, the victims having been snuffed first, gnawed on afterward. Cat loves being called in to help NOPD investigations. She also loves a hunky homicide detective named Sean Regan. At some point, Sean says, he will leave his wife and kids for her, but it’s a point of diminishing probability. Hard to really blame Sean, feckless as he is, since Cat’s not only bipolar, alcoholic and promiscuous but also apparently content to remain that way. And then, leaning over the chewed-upon corpse of Arthur LeGendre, she has a panic attack that amounts to an epiphany. Something’s wrong, she intuits, and makes a beeline for home in Natchez, Miss. Somehow, she has sensed a connection between the New Orleans murders and dark doings in her own past. Twenty years ago, when Cat was eight, her daddy was shot to death. A mysterious assailant, grandpapa Kirkland has insisted through the years, but Cat has always found that difficult to accept. Now, in her old bedroom in the family manse, she unexpectedly discovers forensic evidence that supports her skepticism—and discovers as well gleanings of a terrible secret. In the meantime, back in New Orleans, the investigation has heated up, and here too it seems Cat had it right. Murder in New Orleans and murder in Natchez are connected by the same kind of terrible secret.
It's clearly Cat’s meow, and if you respond positively to her tempestuous carryings-on, then you'll probably forgive Iles (The Footprints of God, 2003, etc.) his unabashed quest for bestsellerdom.Pub Date: Feb. 15, 2005
ISBN: 0-7432-3470-7
Page Count: 512
Publisher: Scribner
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2005
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