You can probably guess the Hollywood ending, but an engaging protagonist makes this thriller a fun ride.
A Hollywood action star finds he can’t just shoot his way out of the situation when his daughter is kidnapped.
Winston Greene is usually delighted to see his 6-year-old granddaughter, Amy. Not this morning. He’s sound asleep when the kid pokes him awake. He barely has time to wonder how she got to his house before she says, “He told me to get you.” He turns out to be a skinny young stranger leaning on a muscle car in Win’s driveway, and his message is that Clare, Win’s daughter and Amy’s mom, has been kidnapped. Win, an actor who’s built a career on playing tough guys, knows his urge to beat up or shoot someone won’t solve anything in real life. It’s his fame—he’s not top of the box office, but solid, especially for an actor who’s almost 60—that has drawn the kidnappers. In exchange for Clare, they want all his Hollywood money. Problem is, he doesn’t have it anymore. His relationship with Clare has long been fraught: Through much of her childhood, he was an alcoholic, and after his beloved wife died, he got worse—but then better. By that time, however, Clare had grown up, become an addict herself, and married another one. Win’s objections to the squalid conditions in which they’re raising Amy have no bearing on his desperate desire to recover his daughter. Since the kidnappers warned him not to go to the cops, he turns to two close friends: Teddy Beauregard, a disgraced LA cop turned private eye, and Grover Washington, a legendary stuntman. As they race to protect Amy, find out who has Clare, and scrape together enough cash to free her, bodies pile up. The pacing lags occasionally, and the plot is fairly predictable. But Win is a likable protagonist, self-deprecating and funny, and Lindstrom, who’s had a long career as an actor, brings authenticity to the novel.
You can probably guess the Hollywood ending, but an engaging protagonist makes this thriller a fun ride.Pub Date: Feb. 6, 2024
ISBN: 9781639106295
Page Count: 256
Publisher: Crooked Lane
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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