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THE SUNDERLAND

VOLUME ONE: SCHISM

A well-imagined adventure coupled with striking black-and-white imagery.

The world is torn into radically divergent societies after the economy collapses in Renzella and Weiss’ stark graphic novel debut.

In the near future, the Earth’s fuel reserves will run out within a decade, but the discovery of a new energy resource promises fuel for the next 75 years. Environmental activists who oppose the corporation Petrolol’s essentially strip-mining this resource from Earth are elated about a second discovery of a clean power source. But the announcement of this find has detrimental results—Petrolol is rendered worthless, which, in a peculiar turn, causes the economy to crash. Many people become homeless and experience violent storms and a mysterious virus. The world ultimately splits into diverse groups that seem to be on the brink of war. Scientists conduct experiments in the Towers; the military hides away in subterranean bunkers; and worshippers of the Earth goddess, Pachamama, isolate themselves in eco-domes. The military has a mole embedded in the latter group (often called “the Hippies”) while also infiltrating followers of Serin Civetta, a zealot who’s convinced many that reptilian aliens are behind Earth’s devastation. But aliens are just one possible explanation of the sudden appearance of two new towers that soar above the existing Towers. Or they may be, as the military surmises, weapons. The tale is a scathing commentary on societal divides, whether politically or religiously motivated. Much of the narrative occurs as flashbacks, with events leading to what’s known as the Schism. As this is Volume 1, months preceding the Schism are left unexplored, while a gleefully perplexing conclusion sets the stage for proposed later installments. Despite text unaccompanied by word balloons, strong, distinctive dialogue makes it easy to comprehend who’s speaking each line. Nevertheless, the book’s most accomplished feature is Renzella’s unique woodcut illustrations. Broad, bold lines still manage nuance, including clear facial expressions, while thoroughly filling pages with artwork.

A well-imagined adventure coupled with striking black-and-white imagery.

Pub Date: N/A

ISBN: 978-986-91676-0-4

Page Count: -

Publisher: Lei Press

Review Posted Online: May 8, 2018

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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