A vibrant, creative, youthful yarn about personal freedom and self-discovery played out against an American West backdrop.
An adventure tale charts the spiritual and personal evolution of an uneasy former engineer.
Das's (Catching Babies, 2011, etc.) novel centers on the wanderlust plaguing a man who, at 37, flees “the steady grind of a corporate job Back East to the wild blur of the mountains Out West” to embrace his love of the outdoors. After the company he works for is sold and he ends his nine-year marriage, Jack moves west to realize his dream of living on his own in nature: “No wife, no job, no kids, no worries, just me, the earth, the sky, and time.” He settles in Dudeville, a Colorado ski town that he was introduced to through friends. As Jack crests numerous mountaintops, Das writes compassionately and poetically about his protagonist’s uncanny detection of a spiritual presence guiding him, an “unnamed and unfiltered, indescribable but unmistakable” deity embodying the euphoric feeling of freedom in nature. Other characters drift in and out of Jack’s orbit, including Jill, his sometime girlfriend, and climbing pal Danny, while the scenery oscillates from snowboarding on the ski slopes and ascending mountains to facing the melodrama of Dudeville’s hangout bar. Das fleshes out Jack’s character with memories of his bruised childhood at the hands of a drunken father and a mother hobbled by debilitating pain. Yet the author leavens this with episodes involving jam bands, a pack of wolves, pot smoking and Ecstasy, sex, and plenty of free-flowing, “dude”-laden dialogue, which all blurs together as the narrative ebbs and flows. The gang scales the Rocky Mountains and the Sierra Nevada and moves across the Arizona desert canyons and the scorched Wyoming plains, inviting further spiritual awakenings and opportunities for reflection and inner healing for Jack. But it will be the interpersonal swirl of youthful histrionics, beer gulping, and high-fives that will keep readers who enjoy the lighter side of Das's bro-fiction entertained. Nature lovers and adventure travelers will certainly appreciate the author’s lush, descriptive prose and vivid action scenes, most notably when focused on Jack’s love of the natural world, his aloneness within it, and the breathless beauty surrounding him when atop a mountain glazed in snow and dazzling sunlight. His restlessness resumes by the story’s conclusion, leaving the engine running for further possible escapades on the slopes and beyond.
A vibrant, creative, youthful yarn about personal freedom and self-discovery played out against an American West backdrop.Pub Date: Nov. 13, 2017
ISBN: 978-0-692-97776-7
Page Count: 433
Publisher: Bayamet LLC
Review Posted Online: Dec. 14, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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