For those who like their science superficial and swaddled in pop culture.
Life is full of mysteries, including the mystery of mystery itself.
After having a book pulled from circulation and losing a New Yorker gig for transgressions such as plagiarism, cherry-picked facts, and invented quotations, Lehrer, sad to say, must be read under the shadow of a question mark. This foray in pop science is similar to his earlier works, though, one hopes, more scrupulously fact checked. Lehrer opens with an explication of what it is that makes us love a mystery story in the first place, citing the originator of the form, Edgar Allan Poe: “Poe’s insight was that the audience didn’t care about the murder….What they really cared about was the mystery.” Mysteries do something to the mind, igniting neurons that try to predict outcomes but, if the story is skillfully told, give way to “subtly violating our expectations, postponing the answer for as long as possible.” The storytelling skills of culture highbrow and middle come under consideration, from Citizen Kane to Law & Order: SVU, all of which make use of what J.J. Abrams calls the “mystery box technique,” which keeps viewers both engaged and puzzled. Lehrer then turns to magic, chronicling his experiences with a statistician who figured out how to beat lottery algorithms and then became fascinated by sleight of hand—again, a species of mystery, “creating a performance we can’t explain.” So far, so good, but then Lehrer stretches the bounds of his thesis to enfold the question of how we perceive and misperceive and are beguiled, incorporating bits and pieces of music lore (John Lennon’s “I Am the Walrus” and Bach foremost); the advertising campaign that brought the Volkswagen to America; the merits of the Comic Sans typeface, and the rabbit-duck optical illusion. Lehrer makes a good village explainer—good, as Gertrude Stein said of Ezra Pound, if you’re a village—but the narrative soufflé often threatens to fall as he wanders from subject to subject.
For those who like their science superficial and swaddled in pop culture.Pub Date: Aug. 17, 2021
ISBN: 978-1-5011-9587-7
Page Count: 256
Publisher: Avid Reader Press
Review Posted Online: June 9, 2021
Kirkus Reviews Issue: July 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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