Overwrought and flawed history accompanied by unappealing illustrations. (Picture book/biography. 5-8)
An homage to the 35th president of the United States, marking the 50th anniversary of his assassination.
Winter frames his narrative with personal statements, opening with an anecdote that he was a baby watching on his father’s shoulders in Dallas on November 22 and concluding with a gushy testimonial. In between, he covers the litany of Kennedy’s sickly childhood, World War II heroism, presidential campaign and three years in office, playing into the Kennedy mythology without restraint. The story of the older brother killed in combat and the second son assuming the political mantle is more legend than fact, and Kennedy’s support of the civil rights movement was more conservative than implied. The crux of the West Virginia primary was whether or not a Catholic could carry a Protestant state, not economics. In addition, the Camelot aura arose from an interview Jacqueline Kennedy gave to Theodore White, not from JFK’s childhood reading. Winter does not mention the space program but does devote a page to the Cuban missile crisis. He concludes that JFK was flawed, but “his words and his spirit live on.” The only sourcing is one website recommended for further reading. The brevity of the form and the youth of the audience is no excuse for hagiography instead of history. Ford’s full-color paintings reproduce period photographs, some making a very good-looking family appear singularly unattractive.
Overwrought and flawed history accompanied by unappealing illustrations. (Picture book/biography. 5-8)Pub Date: Oct. 22, 2013
ISBN: 978-0-06-176807-1
Page Count: 32
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)
“There’s nothing I can’t be,” young Maya thinks, and then shows, in this profile for newly independent readers, imported from Spain.
The inspirational message is conveyed through a fine skein of biographical details. It begins with her birth in St. Louis and the prejudice she experienced growing up in a small Arkansas town and closes with her reading of a poem “about her favorite thing: hope” at Bill Clinton’s presidential inauguration. In between, it mentions the (unspecified) “attack” by her mother’s boyfriend and subsequent elective muteness she experienced as a child, as well as some of the varied pursuits that preceded her eventual decision to become a writer. Kaiser goes on in a closing spread to recap Angelou’s life and career, with dates, beneath a quartet of portrait photos. Salaberria’s simple illustrations, filled with brown-skinned figures, are more idealized than photorealistic, but, though only in the cover image do they make direct contact with readers’, Angelou’s huge eyes are an effective focal point in each scene. The message is similar in the co-published Amelia Earhart, written by Ma Isabel Sánchez Vegara (and also translated by Pitt), but the pictures are more fanciful as illustrator Mariadiamantes endows the aviator with a mane of incandescent orange hair and sends her flying westward (in contradiction of the text and history) on her final around-the-world flight.
Stirring encouragement for all “little people” with “big dreams.” (Picture book/biography. 5-7)Pub Date: July 1, 2016
ISBN: 978-1-84780-889-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
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