Aimed at adults rather than children.

READ REVIEW

THE SAD LITTLE FACT

A colorful fable about facts and fake news.

Winter and Oswald try to take on the current scourge of fake news, presenting the titular “sad little fact” as a circular blue splotch with skinny limbs and bewildered eyes. “No one took the fact seriously,” intones the text as various multicolored shapes ignore the fact. The Authorities, tall, menacing, and depicted in black from the waist down, “demanded that the sad little fact admit that it was not a fact.” The fact is buried underground with its peers even as “a bunch of lies created by the Authorities were taking over the world outside the box.” Only “a hardy band of fact finders,” depicted with miners’ hats and shovels, fights back, digging into the earth and letting the facts (“The Earth revolves around the sun!” “And people are causing the Earth to get warmer!”) out into the light. The facts themselves are cute, but this doesn’t quite work as a parable or as a picture book. The story jerks around confusingly with unpolished prose. Constant repetition of the word “fact” puts readers at risk of lexical satiation. Propaganda and manipulation of the truth are ancient problems, but this story feels like a dashed-off response to current events rather than a deeply considered philosophy; the underlying message is likely to fly over the heads of young readers while being too simplistic for older audiences.

Aimed at adults rather than children. (Picture book. 4-7)

Pub Date: May 7, 2019

ISBN: 978-0-525-58179-6

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

ON THE FIRST DAY OF KINDERGARTEN

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: June 1, 2016

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Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

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YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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