Allen’s big, simple pictures of smiling farm animals give this invitation to a collective Moo-Along unusual appeal. Because “rabbits don’t have a big noise,” Little Rabbit belts out a “MOO.” This draws Calf, who asks if Rabbit has any other noises. The two proceed to “BAAA” until Lamb comes along—whereupon the three snort “OINK OINK OINK.” In the illustrations, the sounds take up more and more space as the chorus swells; even very young audiences will pick up on the simple pattern quickly and be ready to join in as successive creatures appear. In the end, all decide that they like their own sounds best—except for Little Rabbit, who signals a continuing exploration of alternate voices with a mighty “WOOF!” Tales of animals with lost or mixed-up calls aren’t exactly rare on library shelves—Ivor Baddiel’s Cock-a-Doodle Quack! Quack! (2007), illustrated by Allie Busby, is just one of several recent examples—but this one is a particularly crowd-pleasing iteration. (Picture book. 4-6)
Pub Date: March 3, 2008
ISBN: 978-1-905417-78-0
Page Count: 32
Publisher: Boxer Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2008
Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.
Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).
Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.
Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)Pub Date: Nov. 5, 2019
ISBN: 978-1-338-60083-4
Page Count: 24
Publisher: Scholastic
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Laugh-out-loud fun for all.
Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.
She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.
Laugh-out-loud fun for all. (Picture book. 3-6)Pub Date: Oct. 25, 2016
ISBN: 978-1-4847-2286-2
Page Count: 40
Publisher: Hyperion
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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