Way too meta.
Throw Auster, Beckett, Pynchon and Faulkner into a blender and you’ll get Lowdown Gloom, a book that’s too clever by half and experimental enough to scare away casual readers.
The problem with Baldino is not that he’s a bad author, but that he knows that he’s a good one. Though the young man clearly has talent to spare, his new book is an overly self-aware exercise in avant garde writerly craft. The book’s protagonist is Johnny, a fictional avatar, one assumes, for the author. While Baldino’s plot shoots Johnny through an imagined landscape like a pinball and asks him to solve a sort of postmodern mystery, Lowdown Gloom is first and foremost a novel-length reflection on writing. This, it seems, is the rebel’s craft, and is not to be taught but intuited. Readers learn as much from an episode late in the novel, where Johnny is held at gunpoint by a professor who wants financial compensation for teaching him the definition of poetry. But while Baldino writes like a rebel, he already knows his cause too well. He replaces his to’s with t’s, dropping the “o” to access the vulgar charm of colloquial speech. He loves the slapstick energy of onomatopoeia and his prose is overpunctuated with capitalized phrases like “DWAP” and “SPAT” and “RINGALINGALING!” The author frequently spews arcane, chock-full descriptive passages–“the glow of hot lantern orange imbued in the drawn shades could be seen; a peculiar beacon at the hour; he could only presuppose that his presence was expected, and he knew just the prowl for the approach that would permit him to espy the tinkerings.” It’s almost impossible to be so simultaneously baroque and difficult without being somewhat annoying. Take Thomas Pynchon, an author whom Baldino–whether he knows it or not–has as a forebear. In his recent Against the Day, Pynchon was too Pynchonian. In Lowdown, Baldino is already too Baldino-esque. He’s a parody of himself before he knows what “himself” is.
Way too meta.Pub Date: June 8, 2009
ISBN: 978-1-4401-4924-5
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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